Symphony No. 8 in E-flat major
GPTKB entity
Statements (56)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:symphony
|
gptkbp:artistic_influence |
influenced choral and orchestral music
|
gptkbp:artistic_innovation |
pioneered new approaches to symphonic form
|
gptkbp:artistic_legacy |
remains a significant work in classical music history
|
gptkbp:associated_band |
two large choirs
|
gptkbp:audience |
often elicits strong emotional responses
|
gptkbp:awards |
won several classical music awards
|
gptkbp:composer |
gptkb:Gustav_Mahler
|
gptkbp:critical_analysis |
subject of extensive musicological studies
|
gptkbp:critical_reception |
initially mixed, later widely praised
|
gptkbp:cultural_impact |
considered one of the greatest choral works
significant impact on choral repertoire |
gptkbp:cultural_references |
featured in films and documentaries
|
gptkbp:dedication |
to the memory of the composer’s mother
|
gptkbp:demographics |
requires large audience capacity for performances
|
gptkbp:duration |
approximately 80 minutes
|
gptkbp:educational_use |
often studied in music programs
|
gptkbp:famous_event |
featured in major classical music festivals
|
gptkbp:first_performance |
gptkb:Munich
|
gptkbp:historical_context |
composed during the interwar period
|
gptkbp:historical_significance |
marks a high point in symphonic literature
|
https://www.w3.org/2000/01/rdf-schema#label |
Symphony No. 8 in E-flat major
|
gptkbp:influenced_artists |
many 20th-century composers
inspired various adaptations and arrangements |
gptkbp:influences |
Romantic music
|
gptkbp:inspiration |
spiritual themes
|
gptkbp:involved_forces |
large orchestra and choir
|
gptkbp:known_as |
gptkb:Symphony_of_a_Thousand
|
gptkbp:legacy |
remains a staple in concert repertoire
|
gptkbp:length |
one of the longest symphonies
|
gptkbp:music_style |
late-Romantic
two parts with multiple sections |
gptkbp:notable_collaborations |
collaborated with various choirs
|
gptkbp:notable_conductors |
gptkb:Bruno_Walter
gptkb:Bernstein |
gptkbp:notable_performances |
gptkb:Vienna_Philharmonic_Orchestra
performed by leading orchestras worldwide performed at major festivals |
gptkbp:notable_quote |
' A symphony must be like the world. It must contain everything.'
|
gptkbp:notable_recordings |
multiple acclaimed recordings exist
|
gptkbp:number_of_movements |
2
|
gptkbp:orchestration |
8 horns, 4 trumpets, 3 trombones, tuba, timpani, percussion, strings, and choir
|
gptkbp:performance |
performed regularly since its premiere
requires large forces and space |
gptkbp:performance_style |
performed in various arrangements
|
gptkbp:performance_tradition |
often performed in large venues
|
gptkbp:performers |
soprano, mezzo-soprano, tenor, bass
|
gptkbp:premiere_date |
September 12, 1910
|
gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
gptkbp:recordings |
multiple acclaimed recordings exist
|
gptkbp:text |
Faust by Johann Wolfgang von Goethe
|
gptkbp:thematic_element |
explores themes of faith and humanity
|
gptkbp:theme |
redemption and love
|
gptkbp:year_composed |
gptkb:1927
|
gptkbp:bfsParent |
gptkb:Michael_Haydn
|
gptkbp:bfsLayer |
5
|