Statements (196)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Philip_Glass
|
| gptkbp:associated_with |
commemorative events
Soviet nationalism |
| gptkbp:characteristics |
dynamic contrasts
melodic development rhythmic variety thematic unity |
| gptkbp:composer |
gptkb:Dmitri_Shostakovich
gptkb:Gustav_Mahler gptkb:Joseph_Haydn |
| gptkbp:conducted |
gptkb:Bruno_Walter
|
| gptkbp:critical_reception |
mixed reviews
widely acclaimed mixed reviews at premiere |
| gptkbp:cultural_impact |
widely performed in concert halls
influenced contemporary composers |
| gptkbp:cultural_significance |
depicts the 1905 Revolution
|
| gptkbp:dedicated_to |
gptkb:Countess_Maria_Anna_Erdödy
|
| gptkbp:dedication |
to the memory of a friend
to the victims of the 1905 Revolution |
| gptkbp:duration |
60 minutes
approximately 20 minutes approximately 70 minutes approximately 60 minutes |
| gptkbp:famous_for |
its emotional depth
|
| gptkbp:filming_location |
gptkb:Leningrad
gptkb:Vienna |
| gptkbp:first_performance |
gptkb:Vienna
|
| gptkbp:historical_context |
post-Stalin era
composed during post-war era |
| gptkbp:historical_period |
late Soviet period
|
| gptkbp:historical_significance |
early example of symphonic form
|
| https://www.w3.org/2000/01/rdf-schema#label |
Symphony No. 11
|
| gptkbp:influenced |
later composers
later symphonic works |
| gptkbp:influenced_by |
gptkb:historical_event
gptkb:Richard_Wagner Baroque music Russian folk music European classical traditions Mahler's earlier symphonies |
| gptkbp:influences |
film scores
20th-century classical music late Romantic music |
| gptkbp:inspired |
modern composers
|
| gptkbp:inspired_by |
Russian history
|
| gptkbp:instrument |
gptkb:musician
gptkb:musical_composition gptkb:harp gptkb:Order brass strings harmonica marimba triangle strings, woodwinds, brass, percussion percussion alto saxophone bagpipes flute ukulele bass clarinet castanets chimes tenor saxophone bass trombone tambourine timpani oboe xylophone woodwinds bassoon gong bass drum celesta contrabassoon didgeridoo baritone saxophone |
| gptkbp:is_analyzed_in |
musicology studies
for its structure |
| gptkbp:is_available_on |
gptkb:studio
|
| gptkbp:is_celebrated_in |
its orchestral color
|
| gptkbp:is_cited_in |
music theory discussions
|
| gptkbp:is_discussed_in |
music literature
|
| gptkbp:is_featured_in |
classical music festivals
documentaries about Shostakovich |
| gptkbp:is_known_for |
The Year 1905
|
| gptkbp:is_often_used_in |
in competitions
in remembrance events |
| gptkbp:is_recognized_by |
a significant work in 20th-century music
|
| gptkbp:is_recognized_for |
its historical narrative
|
| gptkbp:is_reflected_in |
political climate of the time
|
| gptkbp:key |
D major
D minor G minor |
| gptkbp:length |
5 movements
|
| gptkbp:movement |
gptkb:Allegro
gptkb:Finale gptkb:Largo gptkb:Menuetto gptkb:Scherzo gptkb:4 gptkb:5 gptkb:Adagio Eternal Memory The Ninth of January The Palace Square The Tocsin |
| gptkbp:music_style |
use of dissonance
|
| gptkbp:nickname |
The Year 1905
|
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
gptkb:Bernstein |
| gptkbp:notable_feature |
emotional depth
|
| gptkbp:notable_features |
dramatic contrasts
use of percussion |
| gptkbp:notable_for |
its orchestration
its emotional impact |
| gptkbp:notable_performance |
gptkb:Berlin_Philharmonic
gptkb:radio_station gptkb:Educational_Institution music festivals local orchestras music competitions solo performances local bands chamber ensembles youth orchestras chamber music settings orchestral concerts international bands international orchestras school bands community bands professional orchestras symphonic orchestras conducted by famous conductors community orchestras symphonic bands amateur orchestras school orchestras orchestral competitions youth bands conductors and orchestras worldwide university orchestras professional bands recorded live performances amateur bands |
| gptkbp:notable_products |
thematic development
|
| gptkbp:notable_recordings |
gptkb:1975
numerous conducted by Leonard Bernstein available on various labels conducted by Simon Rattle multiple interpretations available |
| gptkbp:opus_number |
Op. 11
|
| gptkbp:orchestration |
large orchestra
|
| gptkbp:part_of |
Shostakovich's symphonic cycle
Shostakovich's legacy Haydn's symphonic output |
| gptkbp:performed_by |
gptkb:orchestra
gptkb:London_Symphony_Orchestra concert halls international festivals youth orchestras concert seasons major concert halls symphony orchestras worldwide |
| gptkbp:premiere_date |
gptkb:1957
gptkb:1970 gptkb:1974 1760 1911 |
| gptkbp:published_by |
gptkb:Universal_Edition
Artaria |
| gptkbp:recorded_by |
various artists
various orchestras |
| gptkbp:related_to |
gptkb:Symphony_No._10
gptkb:Symphony_No._12 |
| gptkbp:repertoire |
classical music repertoire
|
| gptkbp:style |
gptkb:classical
Classical modern classical post-Romantic late-Romantic Historical symphony |
| gptkbp:thematic_element |
exploration of existential themes
|
| gptkbp:theme |
revolution and struggle
|
| gptkbp:themes |
existentialism and human experience
loss and nostalgia |
| gptkbp:uses |
traditional orchestral techniques
|
| gptkbp:year_composed |
gptkb:1957
gptkb:1973 1760 1910 |