Statements (103)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:orchestra
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Joseph_Haydn
gptkb:Franz_Joseph_Haydn gptkb:Haydn |
gptkbp:arrangements |
Various arrangements exist
|
gptkbp:artistic_influence |
Influenced the development of symphonic form
|
gptkbp:audience |
Engages the audience with surprises
|
gptkbp:composer |
gptkb:Joseph_Haydn
Influenced composers like Beethoven |
gptkbp:critical_reception |
Well-received by critics
|
gptkbp:cultural_impact |
Influenced later symphonic works
Impact on symphonic music |
gptkbp:cultural_significance |
important work in the symphonic repertoire
Part of Western classical music heritage |
gptkbp:dedication |
gptkb:The_Earl_of_Oxford
To the London audience |
gptkbp:duration |
approximately 25 minutes
|
gptkbp:filming_location |
gptkb:Borough
|
gptkbp:first_performance |
gptkb:The_King's_Theatre,_London
|
gptkbp:focuses_on |
Used in music education
|
gptkbp:historical_context |
Various interpretations by different conductors
Part of the London symphonies part of the transition from the Classical to the Romantic era |
gptkbp:historical_significance |
Significant in the development of the symphony
|
https://www.w3.org/2000/01/rdf-schema#label |
Symphony No. 101
|
gptkbp:influenced |
later symphonic works
|
gptkbp:influenced_by |
Classical music
the Enlightenment era |
gptkbp:influences |
Classical music
|
gptkbp:innovation |
Innovative for its time
|
gptkbp:inspiration |
Inspired by the audience's reaction
the sounds of clocks |
gptkbp:involved_forces |
gptkb:orchestra
|
gptkbp:is_analyzed_in |
musicology studies
|
gptkbp:is_celebrated_in |
classical music festivals
|
gptkbp:is_featured_in |
symphonic concerts
|
gptkbp:is_known_for |
gptkb:The_Clock_Symphony
|
gptkbp:is_recognized_by |
music critics
|
gptkbp:key |
D major
B♭ major |
gptkbp:legacy |
Enduring legacy in classical music
Considered a staple of the symphonic repertoire |
gptkbp:movement |
gptkb:military_unit
gptkb:Allegro gptkb:Andante gptkb:4 gptkb:Menuetto_-Trio moderate Allegro con spirito Adagio -Allegro slow to fast |
gptkbp:music |
Part of the classical music tradition
|
gptkbp:music_style |
Analyzed in music theory courses
Follows classical forms Four-movement structure Incorporates dynamics and contrasts Uses classical musical language |
gptkbp:notable_conductors |
Conducted by famous conductors
|
gptkbp:notable_feature |
clock-like ticking in the second movement
|
gptkbp:notable_features |
Surprise in the second movement
|
gptkbp:notable_for |
its emotional depth
its humor its historical importance its structural clarity its thematic development its orchestral color its innovative use of rhythm its melodic invention its balance of form and expression its audience appeal |
gptkbp:notable_performance |
Regularly performed in concert halls
Performed by major orchestras worldwide |
gptkbp:notable_recordings |
conducted by Leonard Bernstein
conducted by Herbert von Karajan Numerous recordings available conducted by Nikolaus Harnoncourt conducted by John Eliot Gardiner conducted by Simon Rattle Several notable recordings exist |
gptkbp:opus_number |
Op. 101
|
gptkbp:orchestration |
strings, woodwinds, brass, percussion
Standard classical orchestra |
gptkbp:part_of |
gptkb:London_Symphonies
Haydn's symphonic legacy |
gptkbp:performance |
Has a rich performance history
Studied for performance practice |
gptkbp:performed_by |
orchestras worldwide
major concert halls |
gptkbp:premiere_date |
1794
|
gptkbp:public_perception |
Elicits strong audience response
|
gptkbp:published_by |
Artaria
|
gptkbp:record_label |
Various record labels have released recordings
|
gptkbp:recorded_by |
numerous artists
|
gptkbp:related_to |
gptkb:Symphony_No._100
|
gptkbp:related_works |
Other symphonies by Haydn
|
gptkbp:sound |
Provides a rich auditory experience
|
gptkbp:style |
Classical
Classical style |
gptkbp:thematic_element |
Develops themes throughout the movements
|
gptkbp:theme |
Memorable themes throughout the movements
Features distinct musical themes |
gptkbp:year_composed |
1793
|