|
gptkbp:instance_of
|
gptkb:fictional_character
|
|
gptkbp:appears_in
|
gptkb:In_the_Mood_for_Love
|
|
gptkbp:art_style
|
vivid colors
slow motion
|
|
gptkbp:audience
|
critically acclaimed
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
search for connection
fear of commitment
desire for intimacy
|
|
gptkbp:character_traits
|
romantic
nostalgic
reserved
|
|
gptkbp:conflict
|
social constraints
|
|
gptkbp:cultural_aspect
|
gptkb:post-colonial_Hong_Kong
|
|
gptkbp:cultural_impact
|
icon of unfulfilled desire
|
|
gptkbp:cultural_significance
|
reflection of society
exploration of love
representation of women
|
|
gptkbp:cultural_symbol
|
unattainable love
|
|
gptkbp:director
|
gptkb:Wong_Kar-wai
|
|
gptkbp:film_awards
|
Cannes Film Festival nomination
|
|
gptkbp:film_technique
|
long takes
close-ups
use of music
|
|
gptkbp:gender
|
gptkb:Female
|
|
gptkbp:genre
|
romantic drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Su Li-zhen
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:influences
|
Asian cinema
romantic films
|
|
gptkbp:inspiration
|
real-life experiences
|
|
gptkbp:language_spoken
|
minimalistic
|
|
gptkbp:legacy
|
cult following
iconic performance
influential character
|
|
gptkbp:mood
|
gptkb:melancholic
internal struggle
|
|
gptkbp:narrative_style
|
non-linear storytelling
|
|
gptkbp:nationality
|
gptkb:Hong_Kong
|
|
gptkbp:occupation
|
gptkb:Secretary_of_State
|
|
gptkbp:portrayed_by
|
gptkb:Maggie_Cheung
|
|
gptkbp:relationship
|
intense
subtle
complicated
|
|
gptkbp:relationship_with
|
gptkb:Chow_Mo-wan
|
|
gptkbp:release_year
|
gptkb:2000
|
|
gptkbp:setting
|
1960s Hong Kong
|
|
gptkbp:story_arc
|
unrequited love
|
|
gptkbp:symbolizes
|
loneliness
|
|
gptkbp:themes
|
love and loss
|
|
gptkbp:bfsParent
|
gptkb:The_Walkers_(2046)
|
|
gptkbp:bfsLayer
|
5
|