Statements (92)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:String_Quartet
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Ludwig_van_Beethoven
gptkb:Dmitri_Shostakovich gptkb:Beethoven |
| gptkbp:analysis |
Often analyzed in musicology studies
|
| gptkbp:arrangements |
Arranged for various ensembles
|
| gptkbp:artistic_influence |
Influenced by earlier composers
|
| gptkbp:audience |
Evokes strong emotional responses
|
| gptkbp:characteristics |
Intense emotional expression
|
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
gptkb:Dmitri_Shostakovich |
| gptkbp:critical_reception |
Generally positive
|
| gptkbp:cultural_impact |
gptkb:Monarch
Significant in Russian music history |
| gptkbp:cultural_references |
Referenced in literature and art
|
| gptkbp:dedicated_to |
The victims of war
|
| gptkbp:dedication |
gptkb:Rudolf,_Archduke_of_Austria
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz gptkb:Archduke_Rudolph_of_Austria To the memory of the victims of fascism |
| gptkbp:duration |
approximately 30 minutes
approximately 40 minutes |
| gptkbp:first_performance |
gptkb:Leningrad
1826 |
| gptkbp:historical_context |
Composed during a time of personal struggle for Shostakovich
|
| gptkbp:historical_impact |
Political climate of the 1960s
|
| gptkbp:historical_significance |
Represents Shostakovich's response to his time
|
| https://www.w3.org/2000/01/rdf-schema#label |
String Quartet No. 13
|
| gptkbp:influenced |
later composers
|
| gptkbp:influenced_by |
Classical music
Russian folk music |
| gptkbp:influences |
Romantic music
Personal experiences of the composer Later string quartets by other composers Interpretations vary widely |
| gptkbp:inspiration |
Historical events of World War II
|
| gptkbp:instrument |
gptkb:musician
String instruments two violins |
| gptkbp:involved_forces |
2 violins, viola, cello
|
| gptkbp:key |
B-flat major
B-flat minor |
| gptkbp:legacy |
Influence on contemporary composers
|
| gptkbp:medium |
gptkb:String_Quartet
|
| gptkbp:movement |
gptkb:Grosse_Fuge
gptkb:Allegro gptkb:Andante gptkb:5 gptkb:Adagio |
| gptkbp:music_style |
Complex and innovative
String quartet form Counterpoint and variation Five interconnected movements |
| gptkbp:notable_feature |
gptkb:Grosse_Fuge
|
| gptkbp:notable_features |
Use of dissonance
Cadenza in the last movement |
| gptkbp:notable_for |
Cavatina
|
| gptkbp:notable_performance |
gptkb:String_Quartet
Performed at major music festivals Various string quartets Part of the classical repertoire |
| gptkbp:notable_production |
Part of Shostakovich's string quartet cycle
|
| gptkbp:notable_recordings |
Numerous
numerous Multiple recordings available Performed by the Borodin Quartet |
| gptkbp:opus_number |
gptkb:Op._130
130 |
| gptkbp:part_of |
gptkb:Beethoven's_late_quartets
|
| gptkbp:performance |
Frequently performed in concert halls
Challenging for performers |
| gptkbp:premiere |
1826
|
| gptkbp:premiere_date |
gptkb:1969
1827 |
| gptkbp:published_by |
gptkb:DSCH_Publishing
1830 |
| gptkbp:record_label |
gptkb:Melodiya
|
| gptkbp:scholarly_analysis |
Subject of numerous academic papers
|
| gptkbp:significance |
important work in chamber music
Reflects Shostakovich's late style One of Beethoven's last works |
| gptkbp:social_structure |
sonata form
|
| gptkbp:style |
Classical
Classical music Late Romantic Modern classical |
| gptkbp:theme |
Explores themes of despair and hope
|
| gptkbp:themes |
Mortality and loss
|
| gptkbp:year_composed |
gptkb:1968
1825 1826 |