Statements (106)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:String_Quartet
|
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:musician
|
gptkbp:analysis |
Widely studied
|
gptkbp:arrangements |
Various arrangements for different ensembles
Arranged for different ensembles |
gptkbp:artistic_influence |
Influenced film scores
|
gptkbp:artistic_legacy |
Continues to inspire new works
|
gptkbp:audience |
Engaging and thought-provoking
|
gptkbp:character |
Somber and introspective
|
gptkbp:characteristics |
Expressive melodies
Dramatic contrasts Innovative structure Contrapuntal writing |
gptkbp:collaborations |
Collaborations with various artists
|
gptkbp:composer |
gptkb:Ludwig_van_Beethoven
gptkb:Dmitri_Shostakovich |
gptkbp:critical_reception |
Generally positive
Highly regarded by musicians |
gptkbp:cultural_impact |
gptkb:Monarch
Russian folk music Influence on string quartet repertoire Significant in 20th-century music history |
gptkbp:cultural_significance |
Represents resilience in art
|
gptkbp:dedication |
gptkb:Prince_Joseph_Franz_Maximilian_Lobkowitz
To the memory of the victims of fascism |
gptkbp:duration |
approximately 30 minutes
|
gptkbp:filming_location |
gptkb:Vienna
|
gptkbp:first_performance |
gptkb:Leningrad
|
gptkbp:focuses_on |
Studied in music theory courses
|
gptkbp:historical_context |
Post-Stalin era
Composed during Beethoven's late period |
gptkbp:historical_significance |
Reflects the socio-political climate of its time
|
https://www.w3.org/2000/01/rdf-schema#label |
String Quartet No. 11
|
gptkbp:influenced |
Later composers
|
gptkbp:influenced_artists |
gptkb:Contemporary_composers
|
gptkbp:influenced_by |
Western classical music
Late Classical music |
gptkbp:influences |
Russian music
|
gptkbp:innovation |
Innovative use of string techniques
|
gptkbp:inspiration |
Personal experiences of war
|
gptkbp:instrument |
gptkb:musician
2 violins |
gptkbp:involved_forces |
2 violins, viola, cello
|
gptkbp:is_a_venue_for |
Concert halls worldwide
|
gptkbp:key |
F minor
|
gptkbp:legacy |
Influential in chamber music repertoire
Continues to be performed |
gptkbp:material |
Commonly studied in music schools
|
gptkbp:mood |
Melancholic
|
gptkbp:motif |
Recurring motifs throughout movements
|
gptkbp:movement |
gptkb:Allegretto
gptkb:Allegro gptkb:Lento gptkb:4 gptkb:5 gptkb:Adagio Allegro molto |
gptkbp:music_style |
Complex and varied
Use of counterpoint Use of silence Use of texture Use of dissonance Use of thematic development Use of dynamics Use of articulation Contrapuntal textures String quartet form Use of rhythmic complexity Use of harmonic exploration Use of variation form |
gptkbp:notable_conductors |
gptkb:Valery_Gergiev
|
gptkbp:notable_features |
Use of silence and pauses
|
gptkbp:notable_for |
Emotional depth
|
gptkbp:notable_performance |
Performed at major music festivals
String quartets Part of Shostakovich cycle performances Famous quartets have recorded it |
gptkbp:notable_performers |
gptkb:Borodin_Quartet
|
gptkbp:notable_recordings |
gptkb:Emerson_String_Quartet
Numerous interpretations |
gptkbp:opus_number |
95
|
gptkbp:part_of |
gptkb:Beethoven's_late_quartets
|
gptkbp:performance |
Often performed in memorial concerts
Varied interpretations by ensembles |
gptkbp:performed_by |
Many string quartets globally
|
gptkbp:premiere |
gptkb:1966
gptkb:Leningrad_String_Quartet |
gptkbp:premiere_date |
1811
|
gptkbp:published_by |
gptkb:DSCH_Publishing
Artaria |
gptkbp:record_label |
gptkb:Deutsche_Grammophon
Various classical labels |
gptkbp:related_works |
gptkb:String_Quartet_No._10
Other Beethoven quartets |
gptkbp:scholarly_analysis |
Frequently analyzed in musicology studies
|
gptkbp:significance |
Pivotal work in chamber music
Reflects Shostakovich's late style |
gptkbp:social_structure |
Five movements
|
gptkbp:style |
Classical music
Modern classical |
gptkbp:thematic_element |
Contrasts of light and dark
Explores complex themes |
gptkbp:theme |
Themes of loss and memory
|
gptkbp:year_composed |
gptkb:1966
1810 |