Stravinsky's The Rite of Spring
GPTKB entity
Statements (112)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
gptkb:ballet |
| gptkbp:action |
two acts
|
| gptkbp:adaptations |
ballet adaptations
|
| gptkbp:adapted_into |
various dance performances
|
| gptkbp:arrangements |
various ensembles
|
| gptkbp:associated_with |
the Ballet Russes
|
| gptkbp:choreography |
gptkb:Vaslav_Nijinsky
|
| gptkbp:composer |
gptkb:Igor_Stravinsky
|
| gptkbp:critical_reception |
initially controversial
|
| gptkbp:cultural_impact |
significant in 20th-century music
controversial premiere |
| gptkbp:cultural_significance |
20th-century music
|
| gptkbp:dedicated_to |
gptkb:Vaslav_Nijinsky
gptkb:Vladimir_Stravinsky |
| gptkbp:famous_for |
its riotous premiere
causing a riot at its premiere |
| gptkbp:featured_in |
films and documentaries
ballet adaptations |
| gptkbp:first_performance |
gptkb:Théâtre_des_Champs-Élysées
1913 |
| gptkbp:genre |
gptkb:ballet
classical music |
| gptkbp:historical_interpretation |
by Gustavo Dudamel
|
| https://www.w3.org/2000/01/rdf-schema#label |
Stravinsky's The Rite of Spring
|
| gptkbp:influence |
modern music
|
| gptkbp:influenced |
gptkb:jazz_music
gptkb:ballet gptkb:theater_productions dance music film scores dance choreography popular music. |
| gptkbp:inspired |
film scores
many composers contemporary composers |
| gptkbp:inspired_by |
pagan rituals
|
| gptkbp:is_celebrated_for |
its orchestral color
|
| gptkbp:length |
approximately 35 minutes
|
| gptkbp:notable_ballet |
choreographed by Vaslav Nijinsky
|
| gptkbp:notable_conductors |
gptkb:Pierre_Boulez
gptkb:Bernstein |
| gptkbp:notable_for |
its innovative use of rhythm
|
| gptkbp:notable_performance |
by the Los Angeles Philharmonic
by the New York Philharmonic by the San Francisco Symphony Paris premiere |
| gptkbp:notable_products |
polyrhythms
dissonance rhythmic complexity dynamic contrasts the use of thematic development the use of silence orchestral color complex time signatures thematic contrasts the use of historical references the use of folk melodies the use of dramatic contrasts the use of strings the use of woodwinds ostinato patterns melodic fragments the use of artistic expression the use of avant-garde techniques the use of brass the use of choral elements the use of cultural references the use of cultural symbolism the use of dance elements the use of emotional contrasts the use of harmonic language the use of melodic development the use of musical forms the use of narrative elements the use of orchestral dynamics the use of orchestral textures the use of percussion the use of rhythmic patterns the use of ritualistic elements the use of solo instruments the use of thematic motifs the use of visual elements |
| gptkbp:notable_recordings |
by the Chicago Symphony Orchestra
by the London Philharmonic Orchestra Leonard Bernstein's recording |
| gptkbp:notable_themes |
sacrifice and renewal
|
| gptkbp:orchestration |
gptkb:orchestra
large orchestra |
| gptkbp:original_language |
gptkb:French
|
| gptkbp:performed_at |
major music festivals
|
| gptkbp:performed_by |
gptkb:Royal_Concertgebouw_Orchestra
gptkb:Berlin_Philharmonic gptkb:Ballets_Russes gptkb:Vienna_Philharmonic gptkb:London_Symphony_Orchestra various orchestras |
| gptkbp:performed_in |
concert halls
concert halls worldwide |
| gptkbp:premiere |
1913
|
| gptkbp:premiere_date |
May 29, 1913
|
| gptkbp:premiere_location |
gptkb:Théâtre_des_Champs-Élysées
|
| gptkbp:published_by |
gptkb:Ricordi
|
| gptkbp:recorded_by |
multiple artists
many orchestras |
| gptkbp:recorded_in |
various formats
|
| gptkbp:revived_in |
various interpretations
|
| gptkbp:structure |
two parts
|
| gptkbp:style |
gptkb:neoclassicism
|
| gptkbp:theme |
pagan rituals
|
| gptkbp:bfsParent |
gptkb:Bernstein
|
| gptkbp:bfsLayer |
3
|