|
gptkbp:instance_of
|
gptkb:Artist
|
|
gptkbp:art_movement
|
gptkb:contemporary_art
gptkb:Postmodernism
|
|
gptkbp:awards
|
gptkb:award
gptkb:Governor_General's_Award
|
|
gptkbp:birth_date
|
gptkb:1960
1960-10-11
April 11, 1960
|
|
gptkbp:birth_place
|
gptkb:Vancouver,_Canada
gptkb:Vancouver
|
|
gptkbp:born_in
|
gptkb:Vancouver
|
|
gptkbp:collaborated_with
|
gptkb:Various_Artists
gptkb:Various_artists
gptkb:The_New_York_Times
|
|
gptkbp:contributes_to
|
Art Theory
|
|
gptkbp:created
|
gptkb:The_Last_of_the_Great_American_Pictures
gptkb:The_End_of_the_World
gptkb:The_Future
gptkb:The_Distant_Future
gptkb:The_Secret_Agent
gptkb:The_New_World
gptkb:The_Inconsolable
The Last of the Great Explorers
The Black Mountain
Hors-champ
The Twofold Bay
|
|
gptkbp:created_work
|
gptkb:The_Secret_Agent
The Invention of the Future
The End of Civilizations
The Twofold Reality
|
|
gptkbp:education
|
gptkb:Emily_Carr_University_of_Art_and_Design
|
|
gptkbp:exhibited_at
|
gptkb:Venice_Biennale
gptkb:document
|
|
gptkbp:has_collaborated_with
|
gptkb:Various_Artists
|
|
gptkbp:has_exhibited
|
Internationally
|
|
gptkbp:has_exhibited_at
|
gptkb:Venice_Biennale
gptkb:document
|
|
gptkbp:has_exhibition
|
gptkb:Stan_Douglas:_The_Future
Stan Douglas: The Last of the Great American Pictures
Stan Douglas: 2011-2013
Stan Douglas: The New World
Stan Douglas: The New York Times
|
|
gptkbp:has_influenced
|
Emerging Artists
|
|
gptkbp:has_nationality
|
gptkb:Canadian
|
|
gptkbp:has_participated_in
|
Solo Exhibitions
Art Festivals
Group Exhibitions
|
|
gptkbp:has_received
|
gptkb:award
|
|
gptkbp:has_won
|
gptkb:Governor_General's_Award
|
|
gptkbp:has_work
|
Public Collections
|
|
gptkbp:has_worked_with
|
Theatrical Productions
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Stan Douglas
|
|
gptkbp:influenced_by
|
gptkb:Postmodernism
gptkb:conceptual_art
gptkb:Surrealism
|
|
gptkbp:is_active_in
|
gptkb:1980s
gptkb:contemporary_art
|
|
gptkbp:is_associated_with
|
gptkb:conceptual_art
gptkb:installation_art
|
|
gptkbp:is_celebrated_for
|
Innovative Techniques
|
|
gptkbp:is_celebrated_in
|
Art Circles
|
|
gptkbp:is_engaged_in
|
Art Education
|
|
gptkbp:is_explored_in
|
Social Issues
Historical Narratives
|
|
gptkbp:is_featured_in
|
Art Documentaries
|
|
gptkbp:is_from
|
gptkb:Canada
|
|
gptkbp:is_influenced_by
|
gptkb:literature
gptkb:Postmodernism
Politics
Film History
|
|
gptkbp:is_influential_in
|
gptkb:art_community
Contemporary Art Scene
|
|
gptkbp:is_involved_in
|
Cultural Critique
|
|
gptkbp:is_known_for
|
gptkb:Cultural_Commentary
gptkb:photography
gptkb:video_art
Interdisciplinary Approach
Social Commentary
Artistic Innovation
Cinematic Techniques
Challenging Norms
Critical Engagement
|
|
gptkbp:is_part_of
|
gptkb:Art_History
Art Movements
|
|
gptkbp:is_recognized_by
|
gptkb:art_critics
Art Critics
|
|
gptkbp:is_recognized_for
|
Artistic Contributions
Innovative Techniques
Artistic Vision
Visual Storytelling
|
|
gptkbp:is_respected_by
|
Artistic Vision
|
|
gptkbp:known_for
|
gptkb:installation_art
gptkb:photography
gptkb:film
Multimedia Works
Video Installation
Exploring themes of history and identity
|
|
gptkbp:nationality
|
gptkb:Canadian
|
|
gptkbp:notable_work
|
gptkb:The_End_of_the_World
gptkb:The_Secret_Agent
The Twofold
The Invention of the Future
Monodramas
|
|
gptkbp:occupation
|
gptkb:filmmakers
gptkb:photographers
|
|
gptkbp:received
|
gptkb:award
|
|
gptkbp:resides_in
|
gptkb:Los_Angeles
|
|
gptkbp:uses
|
Mixed Media
Film and Photography
|
|
gptkbp:utilizes
|
Narrative Techniques
|
|
gptkbp:was_educated_at
|
gptkb:University_of_British_Columbia
gptkb:Emily_Carr_University_of_Art_and_Design
|
|
gptkbp:website
|
http://www.standouglas.com
|
|
gptkbp:won_award
|
gptkb:Governor_General's_Award_for_Visual_and_Media_Arts
|
|
gptkbp:works_in
|
gptkb:contemporary_art
gptkb:installation_art
gptkb:photography
gptkb:film
|
|
gptkbp:bfsParent
|
gptkb:Jeff_Wall
gptkb:The_Vancouver_Art_Gallery
|
|
gptkbp:bfsLayer
|
4
|