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gptkbp:instanceOf
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gptkb:orchestra
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gptkbp:basedOn
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Gospel of Matthew chapters 26 and 27
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gptkbp:BWV_number
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244
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gptkbp:cataloguedIn
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gptkb:Bach-Werke-Verzeichnis
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gptkbp:composer
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gptkb:Johann_Sebastian_Bach
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gptkbp:duration
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approximately 3 hours
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gptkbp:firstPerformed
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gptkb:St._Thomas_Church,_Leipzig
1727
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gptkbp:genre
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gptkb:choral_music
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https://www.w3.org/2000/01/rdf-schema#label
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St. Matthew Passion
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gptkbp:influenced
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gptkb:Felix_Mendelssohn
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gptkbp:language
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gptkb:German
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gptkbp:librettist
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gptkb:Christian_Friedrich_Henrici
gptkb:Picander
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gptkbp:liturgicalUse
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gptkb:Good_Friday
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gptkbp:notableAria
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gptkb:Erbarme_dich,_mein_Gott
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gptkbp:notableChorus
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gptkb:O_Haupt_voll_Blut_und_Wunden
|
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gptkbp:notableConductor
|
gptkb:Leonard_Bernstein
gptkb:Nikolaus_Harnoncourt
gptkb:Herbert_von_Karajan
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gptkbp:notableFeature
|
arias
recitatives
use of chorales
historically informed performance practice
dramatic narrative
Evangelist (tenor soloist)
children's choir (in some performances)
chorale harmonizations
dialogue between choirs
double continuo
influence on sacred music repertoire
turba choruses
use of da capo arias
use of obbligato instruments
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gptkbp:notablePerformer
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gptkb:Dietrich_Fischer-Dieskau
gptkb:Kathleen_Ferrier
gptkb:Peter_Schreier
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gptkbp:notableRecording
|
Karl Richter 1958
John Eliot Gardiner 1989
Otto Klemperer 1961
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gptkbp:period
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Baroque
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gptkbp:revival
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gptkb:Felix_Mendelssohn
1829
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|
gptkbp:scoredFor
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soloists
double choir
double orchestra
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|
gptkbp:structure
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two parts
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|
gptkbp:subject
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Passion of Jesus
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|
gptkbp:theme
|
suffering and death of Jesus
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gptkbp:bfsParent
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gptkb:Commit_Thy_Work_to_God
gptkb:Helmut_Krebs
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gptkbp:bfsLayer
|
6
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