|
gptkbp:instanceOf
|
gptkb:video_game
|
|
gptkbp:award
|
gptkb:GameSpot's_Best_Story_of_2012
|
|
gptkbp:composer
|
gptkb:Elia_Cmíral
|
|
gptkbp:coverArt
|
shows Captain Walker in sandstorm
|
|
gptkbp:criticalReception
|
generally positive
|
|
gptkbp:designer
|
gptkb:Jörg_Friedrich
|
|
gptkbp:developer
|
gptkb:Yager_Development
|
|
gptkbp:director
|
gptkb:Franz_Felsl
|
|
gptkbp:distributor
|
gptkb:Take-Two_Interactive
|
|
gptkbp:engine
|
gptkb:Unreal_Engine_3
|
|
gptkbp:ESRB_rating
|
18
Mature
|
|
gptkbp:gameplayFeature
|
multiple endings
environmental hazards
moral decision-making
cover system
squad commands
|
|
gptkbp:genre
|
first-person shooter
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Spec Ops: The Line
|
|
gptkbp:inspiredBy
|
gptkb:Heart_of_Darkness
Apocalypse Now
|
|
gptkbp:mainCharacter
|
gptkb:Captain_Martin_Walker
|
|
gptkbp:mode
|
multiplayer
single-player
|
|
gptkbp:multiplayer
|
gptkb:collaboration
gptkb:Darkside_Game_Studios
competitive
|
|
gptkbp:notableFor
|
psychological themes
moral choices
depiction of war crimes
|
|
gptkbp:perspective
|
third-person
|
|
gptkbp:platform
|
gptkb:Microsoft_Windows
gptkb:PlayStation_3
gptkb:OS_X
gptkb:Xbox_360
|
|
gptkbp:producer
|
gptkb:Jörg_Friedrich
|
|
gptkbp:publisher
|
gptkb:2K_Games
|
|
gptkbp:releaseDate
|
2012-06-26
|
|
gptkbp:sells
|
commercially underperformed
|
|
gptkbp:series
|
Spec Ops
ninth installment
|
|
gptkbp:setting
|
gptkb:Dubai
|
|
gptkbp:theme
|
gptkb:trauma
guilt
psychological horror
military ethics
consequences of violence
|
|
gptkbp:voiceActor
|
gptkb:Nolan_North
|
|
gptkbp:writer
|
gptkb:Walt_Williams
|
|
gptkbp:bfsParent
|
gptkb:Omid_Abtahi
|
|
gptkbp:bfsLayer
|
6
|