Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:associatedWith |
underground artists
|
| gptkbp:characterizedBy |
artistic freedom
|
| gptkbp:depictedIn |
private galleries
foreign exhibitions |
| https://www.w3.org/2000/01/rdf-schema#label |
Soviet Nonconformism
|
| gptkbp:influencedBy |
Western art movements
|
| gptkbp:is_evaluated_by |
music
visual arts literature performance art |
| gptkbp:keyIssues |
fantasy
freedom humor alienation cultural heritage existentialism hope identity reality fiction rebellion individualism memory nostalgia surrealism dreams irony political dissent truth disillusionment absurdism social critique transgression art as resistance art as protest art as identity |
| gptkbp:legacy |
influence on contemporary art
cultural resistance inspiration for dissidents preservation of alternative narratives |
| gptkbp:notableFigures |
gptkb:Oleg_Kulik
gptkb:Ilya_Kabakov gptkb:Andrei_Monastyrsky gptkb:Viktor_Pivovarov |
| gptkbp:notableWorks |
The Last Judgment
The Red Square The Black Square The Man Who Was a Horse |
| gptkbp:origin |
gptkb:Soviet_Union
|
| gptkbp:respondsTo |
totalitarianism
Soviet_censorship |
| gptkbp:timePeriod |
1950s to 1980s
|