Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Film movement
|
| gptkbp:characteristics |
gptkb:Socialist_realism
Avant-garde |
| gptkbp:historicalPeriod |
1920s
1930s 1940s 1950s 1960s 1970s 1980s |
| https://www.w3.org/2000/01/rdf-schema#label |
Soviet Cinema
|
| gptkbp:influenced |
World cinema
Experimental film Documentary filmmaking |
| gptkbp:influencedBy |
Constructivism
Montage_theory |
| gptkbp:notableEvent |
gptkb:Andrei_Tarkovsky
gptkb:Sergei_Eisenstein |
| gptkbp:notableFeature |
Socialism
War Revolution Collectivism Human suffering |
| gptkbp:notableFilm |
gptkb:Moscow_Does_Not_Believe_in_Tears
gptkb:Battleship_Potemkin gptkb:The_Mirror gptkb:Ivan_the_Terrible The Seventh Seal Andrei Rublev Solaris Stalker The Return The Sacrifice The Thief The Irony of Fate The Ascent The Cranes Are Flying The Color of Pomegranates Dersu Uzala The Stalker The Battleship Potemkin Come and See The Man with a Movie Camera Little Vera The_Island |
| gptkbp:originatedIn |
gptkb:Soviet_Union
|
| gptkbp:reduces |
1990s
|