gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:Eugène_Ysaÿe
|
gptkbp:composer
|
gptkb:Ludwig_van_Beethoven
|
gptkbp:critical_reception
|
well-received by contemporaries
analyzed in musicology studies
performed in prestigious venues
considered a significant work in violin repertoire
subject of numerous recordings and interpretations
|
gptkbp:cultural_impact
|
frequently performed in recitals
performed in competitions
part of standard repertoire
|
gptkbp:dedication
|
gptkb:Countess_Anna_Margarete_von_Browne
|
gptkbp:genre
|
gptkb:orchestra
gptkb:Piano_Sonata
classical music
|
gptkbp:historical_context
|
composed during Beethoven's early period
influenced by earlier composers like Mozart
reflects transition from Classical to Romantic
part of Beethoven's exploration of new forms
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sonata for Violin and Piano in E major
|
gptkbp:influences
|
sonata form
|
gptkbp:instrumentation
|
gptkb:musician
|
gptkbp:key
|
E major
|
gptkbp:movement
|
gptkb:Allegro
gptkb:3
gptkb:Adagio
|
gptkbp:notable_performance
|
gptkb:musician
|
gptkbp:notable_recordings
|
gptkb:Yehudi_Menuhin
gptkb:Itzhak_Perlman
gptkb:Joshua_Bell
gptkb:Anne-Sophie_Mutter
gptkb:Hilary_Hahn
|
gptkbp:opus_number
|
gptkb:12
|
gptkbp:performance
|
often includes improvisation
interpretation varies by performer
requires collaboration between violin and piano
|
gptkbp:published_by
|
1800
|
gptkbp:related_works
|
gptkb:Sonata_for_Violin_and_Piano_in_A_major,_Op._12_No._2
gptkb:Sonata_for_Violin_and_Piano_in_C_major,_Op._96
gptkb:Sonata_for_Violin_and_Piano_in_D_major,_Op._12_No._1
gptkb:Sonata_for_Violin_and_Piano_in_G_major,_Op._30_No._3
|
gptkbp:style
|
Classical
|
gptkbp:year_composed
|
1798
|