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gptkbp:instance_of
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gptkb:musical_composition
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Herschel
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gptkbp:associated_with
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Bach's legacy
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gptkbp:collaborations
|
other musicians
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|
gptkbp:composer
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gptkb:Johann_Sebastian_Bach
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gptkbp:cultural_significance
|
important work in harpsichord repertoire
|
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gptkbp:dedicated_to
|
gptkb:Anna_Magdalena_Bach
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gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:first_performance
|
1738
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gptkbp:form
|
gptkb:Piano_Sonata
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gptkbp:genre
|
Baroque music
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gptkbp:historical_context
|
18th century music
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|
https://www.w3.org/2000/01/rdf-schema#label
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Six Concertos for Harpsichord
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gptkbp:influenced
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later composers
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gptkbp:influenced_by
|
Italian concerto style
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gptkbp:inspired
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harpsichordists
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gptkbp:instrument
|
strings
continuo
|
|
gptkbp:instrumentation
|
harpsichord
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gptkbp:is_analyzed_in
|
musicology studies
|
|
gptkbp:is_available_in
|
sheet music
|
|
gptkbp:is_celebrated_in
|
Bach festivals
|
|
gptkbp:is_cited_in
|
music literature
|
|
gptkbp:is_discussed_in
|
music theory classes
|
|
gptkbp:is_featured_in
|
classical music festivals
documentaries about Bach
|
|
gptkbp:is_often_associated_with
|
other instruments
music reviews
|
|
gptkbp:is_often_used_in
|
gptkb:concert_tour
various formats
educational settings
music competitions
recitals
soloists
chamber orchestras
|
|
gptkbp:is_studied_in
|
music schools
|
|
gptkbp:key
|
various keys
|
|
gptkbp:notable_features
|
ornamentation
|
|
gptkbp:notable_for
|
use of counterpoint
|
|
gptkbp:notable_performance
|
historical performances
six
|
|
gptkbp:notable_recordings
|
various interpretations
|
|
gptkbp:notable_traits
|
dialogue between soloist and orchestra
|
|
gptkbp:order
|
different ensembles
|
|
gptkbp:part_of
|
gptkb:Bach's_keyboard_works
|
|
gptkbp:performed_by
|
gptkb:orchestra
|
|
gptkbp:published_by
|
1739
|
|
gptkbp:recorded_by
|
various artists
|
|
gptkbp:related_to
|
gptkb:Bach's_Brandenburg_Concertos
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:transcribed_for
|
gptkb:orchestra
gptkb:musician
|
|
gptkbp:year_composed
|
1738
|