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gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:ballet
gptkb:opera
|
|
gptkbp:character
|
gptkb:Brabantio
gptkb:Cassio
gptkb:Roderigo
gptkb:Duke_of_Venice
Emilia
|
|
gptkbp:conflict
|
Othello vs Iago
Othello vs society
Othello vs self
|
|
gptkbp:critical_reception
|
widely studied
performed worldwide
adapted into various media
|
|
gptkbp:cultural_impact
|
discussions on race
discussions on gender
discussions on trust
|
|
gptkbp:ended
|
tragic ending
|
|
gptkbp:first_performance
|
1604
|
|
gptkbp:genre
|
gptkb:tragedy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Shakespeare's Othello
|
|
gptkbp:influence
|
gptkb:theater
gptkb:film
Western literature
|
|
gptkbp:language
|
Early Modern English
|
|
gptkbp:legacy
|
influenced modern storytelling
considered one of Shakespeare's greatest works
|
|
gptkbp:main_character
|
gptkb:Iago
gptkb:Desdemona
gptkb:Othello
|
|
gptkbp:mood
|
tragic
dramatic
tense
|
|
gptkbp:motif
|
gptkb:honor
gptkb:deception
love
|
|
gptkbp:notable_quote
|
' I am not what I am.'
' The Moor of Venice'.
' O, beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on.'
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance
|
often performed
|
|
gptkbp:published
|
1622
folio edition
|
|
gptkbp:setting
|
gptkb:Venice
gptkb:Cyprus
|
|
gptkbp:symbolism
|
the sea
the color black
handkerchief
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:jealousy
gptkb:race
|
|
gptkbp:written_by
|
gptkb:William_Shakespeare
|
|
gptkbp:bfsParent
|
gptkb:The_Crying_Game
|
|
gptkbp:bfsLayer
|
4
|