Shakespeare's Much Ado About Nothing
GPTKB entity
Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:stage_adaptation
BBC television adaptation 1984 film adaptation 1993 |
| gptkbp:character |
gptkb:Dogberry
gptkb:Leonato gptkb:Verges gptkb:Don_Pedro gptkb:Don_John gptkb:Antonio gptkb:Balthasar gptkb:Margaret gptkb:Ursula |
| gptkbp:cultural_impact |
influenced romantic comedies
performed worldwide studied in literature courses adapted into various media inspired modern retellings |
| gptkbp:famous_for |
its comedic elements
its memorable characters its witty dialogue its exploration of love and relationships its clever use of misunderstandings |
| gptkbp:first_performance |
1598
|
| gptkbp:genre |
gptkb:comedy
|
| https://www.w3.org/2000/01/rdf-schema#label |
Shakespeare's Much Ado About Nothing
|
| gptkbp:language |
Early Modern English
|
| gptkbp:main_character |
gptkb:Hero
gptkb:Beatrice gptkb:Benedick gptkb:Claudio |
| gptkbp:notable_quote |
“ I do much wonder that one man, seeing how much another man is a fool when he dedicates his behaviours to love.”
“ The course of true love never did run smooth.” |
| gptkbp:original_language |
English
|
| gptkbp:plot |
the masquerade ball
the resolution of misunderstandings Don John's schemes Benedick and Beatrice's witty banter Claudio's love for Hero the wedding fiasco |
| gptkbp:published_in |
1623
|
| gptkbp:setting |
gptkb:Messina
|
| gptkbp:theme |
gptkb:honor
gptkb:deception love |
| gptkbp:written_by |
gptkb:William_Shakespeare
|
| gptkbp:bfsParent |
gptkb:Hero_Emilia
gptkb:Sigh_No_More |
| gptkbp:bfsLayer |
5
|