Statements (204)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
gptkb:historical_figure gptkb:character |
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Dante
gptkb:faction gptkb:Inferno gptkb:The_Nightingale gptkb:legend gptkb:Much_Ado_About_Nothing gptkb:Best_in_Show |
| gptkbp:adaptation |
gptkb:Film_adaptations
Stage adaptations Featured in film adaptations of Much Ado About Nothing |
| gptkbp:appears_in |
gptkb:Paradiso
gptkb:The_Double gptkb:Much_Ado_About_Nothing |
| gptkbp:artist |
gptkb:Dante_Alighieri
|
| gptkbp:associated_with |
gptkb:faction
gptkb:Dante_Alighieri gptkb:Lemony_Snicket |
| gptkbp:author |
gptkb:Educational_Institution
|
| gptkbp:birth_date |
1266
|
| gptkbp:challenges |
Gender norms
|
| gptkbp:character |
gptkb:Educational_Institution
in the play Challenger of male authority Embodies the spirit of the play. Represents the voice of reason |
| gptkbp:character_arc |
Undergoes significant growth
|
| gptkbp:character_development |
throughout the play
Grows to accept love |
| gptkbp:character_traits |
gptkb:Independent
Witty Strong-willed |
| gptkbp:child |
gptkb:Folco_Portinari
|
| gptkbp:climax |
Key player in the climax of the play
|
| gptkbp:conflict |
Emotional turmoil
Challenges societal norms Challenges patriarchal views Mediation between Claudio and Benedick |
| gptkbp:cultural_impact |
Feminist icon
Influenced modern portrayals of strong women Popular character in adaptations |
| gptkbp:death_date |
1290
|
| gptkbp:depicted_in |
gptkb:La_Vita_Nuova
|
| gptkbp:developer |
Falls in love with Benedick
|
| gptkbp:engages_in |
Verbal sparring
|
| gptkbp:family |
Cousin to Hero
|
| gptkbp:famous_quote |
I had rather hear my dog bark at a crow than a man swear he loves me.
I do much wonder that one man, seeing how much another man is a fool when he dedicates his behaviours to love. I do much wonder that one man, seeing how much another man is a fool. I had rather hear my dog bark at a crow. I know you of old. I will be cruel only to be kind. The prince doth woo my daughter. What fire is in mine ears? I will not be sworn but love may transform me to an oyster. |
| gptkbp:feud |
with Benedick
|
| gptkbp:gender |
gptkb:philosopher
|
| gptkbp:has_conflict_with |
gptkb:Benedick
gptkb:Don_John gptkb:Claudio |
| gptkbp:has_friend |
gptkb:legend
gptkb:Ursula Strong bond with Hero |
| gptkbp:has_method |
Evolves throughout the play
|
| gptkbp:has_transformation |
from a skeptic to a lover
|
| gptkbp:historical_context |
Various interpretations by actors
|
| gptkbp:historical_period |
16th Century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Beatrice
|
| gptkbp:independence |
and strong will
|
| gptkbp:influence |
Modern interpretations of female characters
Influences Benedick's views on love Shakespearean heroines |
| gptkbp:influenced |
Dante's works
|
| gptkbp:inspiration |
gptkb:Dante's_poetry
|
| gptkbp:inspired |
gptkb:Dante's_poetry
|
| gptkbp:interacts_with |
gptkb:Dogberry
gptkb:Leonato gptkb:Balthasar gptkb:Margaret Engages in banter with Benedick |
| gptkbp:is |
a symbol of divine love
Dante's guide in Heaven |
| gptkbp:is_a_moment_of |
Vulnerability
|
| gptkbp:is_analyzed_in |
for her character traits
|
| gptkbp:is_associated_with |
heavenly wisdom
|
| gptkbp:is_challenged_by |
to prove her love
|
| gptkbp:is_character_in |
Dante's works
Shakespearean comedy |
| gptkbp:is_characterized_by |
Richly developed character
|
| gptkbp:is_cited_in |
Literary discussions
|
| gptkbp:is_compared_to |
Contrasts with Hero's character
|
| gptkbp:is_described_as |
a symbol of grace
|
| gptkbp:is_engaged_in |
Engages in verbal sparring with Benedick
|
| gptkbp:is_involved_in |
Comic relief
Misunderstandings Climactic scenes |
| gptkbp:is_known_for |
Strong personality
her sharp tongue Sharp tongue Witty banter |
| gptkbp:is_motivated_by |
Desire for connection
Desires genuine love Desire for equality in love Protecting Hero |
| gptkbp:is_often_associated_with |
gptkb:Politician
|
| gptkbp:is_often_compared_to |
gptkb:legend
|
| gptkbp:is_often_depicted_as |
Strong female lead
in the play to other female characters |
| gptkbp:is_often_served_with |
gptkb:Benedick
|
| gptkbp:is_part_of |
gptkb:The_Divine_Comedy
Dramatic irony Romantic subplot Love story |
| gptkbp:is_played_by |
gptkb:Much_Ado_About_Nothing
Various actresses |
| gptkbp:is_related_to |
gptkb:legend
to Hero |
| gptkbp:language |
gptkb:Benedick
Famous for her witty retorts Known for her memorable lines Known for sharp and clever dialogue Uses humor to cope with situations |
| gptkbp:legacy |
Considered one of Shakespeare's most memorable heroines
|
| gptkbp:main_character |
in Much Ado About Nothing
|
| gptkbp:mood |
Expresses disdain for marriage at first
|
| gptkbp:motif |
Recurring motif of deception
|
| gptkbp:music_style |
Comic relief
Voice of reason |
| gptkbp:occupation |
gptkb:Unknown
|
| gptkbp:occurs_in |
gptkb:Character_development
|
| gptkbp:participates_in |
Deception plot
|
| gptkbp:performance |
Portrayed in various adaptations
|
| gptkbp:personality_trait |
Witty
Strong-willed that attracts Benedick |
| gptkbp:plot |
Catalyst for Benedick's transformation
Confronts societal norms about marriage with Benedick |
| gptkbp:portrayed_by |
gptkb:Samantha_Barks
gptkb:The_Divine_Comedy gptkb:Amy_Acker Intelligent various actors |
| gptkbp:proposed_by |
to bring Benedick and her together
|
| gptkbp:provides_information_on |
gptkb:Dante_Alighieri
|
| gptkbp:public_perception |
Perceived as a modern woman for her time
|
| gptkbp:relationship |
gptkb:legend
gptkb:Benedick Simon James with her friends Dynamic with other characters Companion to the other female characters Complex relationship with societal expectations Complicated relationship with Benedick Cousin of Hero Evolves from antagonism to affection with Benedick Friend of Benedick Friendship with Ursula Rivalry with Claudio Supportive of Hero's love life with Benedick and Claudio |
| gptkbp:represents |
divine love
idealized womanhood Feminine wit the ideal of human love |
| gptkbp:resolution |
Finds balance between independence and love
Finds happiness in love Marries Benedick Ultimately embraces love |
| gptkbp:role |
gptkb:mythological_figure
Love interest Catalyst for Benedick's transformation Central female character |
| gptkbp:set_in |
gptkb:Much_Ado_About_Nothing
|
| gptkbp:setting |
gptkb:Messina
gptkb:Messina,_Italy Contemporary |
| gptkbp:sportsmanship |
Playful rivalry
|
| gptkbp:spouse |
Skeptical
Dante Alighieri (in his works) Simone dei Bardi |
| gptkbp:symbol |
spiritual enlightenment
|
| gptkbp:symbolism |
Represents feminist ideals
|
| gptkbp:symbolizes |
divine love
Independent woman Challenge to patriarchy |
| gptkbp:theme |
gptkb:Isolation
Love and relationships Explores themes of loyalty and betrayal |
| gptkbp:themes |
gptkb:philosopher
gptkb:award gptkb:Deception Love and Relationships |
| gptkbp:user_experience |
Romantic tension
|
| gptkbp:viewpoint |
Offers a unique perspective on love
Views love with skepticism |
| gptkbp:voice_actor |
gptkb:Nadia_Nascimento
|
| gptkbp:wrote |
gptkb:play
Embodies feminist themes in literature |