Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:ballet
gptkb:opera gptkb:film |
| gptkbp:cultural_impact |
inspired literature
inspired films inspired feminist interpretations performed worldwide inspired video games inspired numerous adaptations widely studied in schools inspired critical essays inspired parodies inspired television adaptations inspired graphic novels inspired literary criticism inspired artworks subject of scholarly analysis inspired dance performances inspired music compositions inspired academic research inspired philosophical discussions inspired poetry influenced modern storytelling inspired theater productions inspired character studies inspired modern retellings inspired performance art inspired adaptations in different languages inspired existential interpretations inspired psychological analyses inspired historical interpretations inspired political interpretations inspired theatrical techniques |
| gptkbp:famous_quote |
To be, or not to be
|
| gptkbp:first_performance |
1600
|
| gptkbp:genre |
gptkb:tragedy
|
| https://www.w3.org/2000/01/rdf-schema#label |
Shakespeare's Hamlet
|
| gptkbp:influence |
Western literature
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Hamlet
|
| gptkbp:notable_character |
gptkb:Claudius
gptkb:Ophelia gptkb:Laertes gptkb:Gertrude gptkb:Ghost_of_King_Hamlet gptkb:Polonius Horatio |
| gptkbp:original_language |
Early Modern English
|
| gptkbp:published_in |
1609
|
| gptkbp:setting |
gptkb:Denmark
|
| gptkbp:structure |
five acts
|
| gptkbp:theme |
gptkb:revenge
|
| gptkbp:written_by |
gptkb:William_Shakespeare
|
| gptkbp:bfsParent |
gptkb:The_Lion_King
gptkb:The_Lion_King_(2019) gptkb:Tom_Stoppard gptkb:The_Lion_King_(2021) gptkb:The_Lion_King_(Broadway) gptkb:play |
| gptkbp:bfsLayer |
4
|