Statements (150)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:character
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:The_Tragedy_of_Hamlet
gptkb:Ophelia gptkb:mythological_figure |
| gptkbp:advises |
gptkb:Ophelia
gptkb:Laertes |
| gptkbp:appears_in |
gptkb:mythological_figure
|
| gptkbp:cause_of_death |
Stabbing
Stabbed by Hamlet |
| gptkbp:character_arc |
Overprotective Father
|
| gptkbp:character_development |
Static character
|
| gptkbp:character_traits |
Manipulative
Overprotective Verbose |
| gptkbp:convicted_of |
gptkb:mythological_figure
|
| gptkbp:depicted_in |
Numerous adaptations
a meddler |
| gptkbp:ends_at |
Gertrude's chamber
|
| gptkbp:famous_quote |
' Neither a borrower nor a lender be.'
' To thine own self be true.' ' Give thy thoughts no tongue.' ' This above all: to thine own self be true.' |
| gptkbp:fate |
Killed in a misunderstanding
Killed by Hamlet |
| gptkbp:father |
gptkb:Ophelia
gptkb:Laertes |
| gptkbp:first_appearance |
Act 1, Scene 2
|
| gptkbp:has |
' Neither a borrower nor a lender be'.
|
| gptkbp:has_conflict_with |
gptkb:mythological_figure
|
| gptkbp:has_role |
gptkb:Lord_Chamberlain
|
| https://www.w3.org/2000/01/rdf-schema#label |
Polonius
|
| gptkbp:influence |
Hamlet's madness
Ophelia's fate |
| gptkbp:is_a |
gptkb:planet
gptkb:earthquake father figure foolish character character with a tragic flaw character with a tragic end character with a complex personality comic relief character character with a dual nature character with a significant impact on the plot symbol of the old guard character in a tragedy character in Shakespearean literature character with a significant role in the narrative manipulator of others tragic comic character |
| gptkbp:is_acharacter_in |
drives the plot forward
provides comic relief is often analyzed in academic settings is often referenced in discussions of Shakespearean tragedy is often referenced in discussions of Shakespeare's works is often analyzed for his relationships with other characters is often used to explore themes of wisdom and folly is often analyzed for his role in the play's themes of madness is often seen as a catalyst for the events of the play contributes to the tragic ending of Hamlet is often discussed in the context of the play's exploration of morality. has a famous line about brevity has a significant impact on Hamlet's actions is involved in the political intrigue of Denmark is involved in the theme of loyalty is involved in the theme of spying is often depicted in modern adaptations of Hamlet is often interpreted in various ways by directors is often portrayed as a tragicomic figure is often portrayed as foolish is often seen as a representation of the old guard is often seen as a symbol of the corrupt court is often seen as a tragic figure in his own right is often seen as a victim of circumstance is often used to discuss the role of advisors leads to Ophelia's madness represents the theme of appearance vs reality serves as a foil to Hamlet is often discussed in the context of father-son relationships is often seen as a representation of the consequences of political maneuvering is often portrayed in a negative light in adaptations is often analyzed for his role in the play's moral lessons is often portrayed as a tragic figure in modern interpretations is often referenced in literary critiques of Hamlet is often discussed in the context of loyalty and betrayal |
| gptkbp:is_arepresentation_of |
the older generation
|
| gptkbp:is_associated_with |
espionage
the theme of madness |
| gptkbp:is_cited_in |
literary analyses
|
| gptkbp:is_criticized_for |
gptkb:mythological_figure
|
| gptkbp:is_described_as |
manipulative
scheming overly cautious a foil to Hamlet a source of wisdom and folly. a pompous and conniving courtier |
| gptkbp:is_discussed_in |
gptkb:Shakespeare's_works
Shakespearean literature literary analyses of Hamlet |
| gptkbp:is_involved_in |
the theme of loyalty
the theme of betrayal the theme of power dynamics the theme of family dynamics the love story of Hamlet and Ophelia the play's political intrigue the subplot of Hamlet the spying on Hamlet |
| gptkbp:is_known_for |
his long-winded speeches
his interactions with other characters his advice to Laertes his advice to Ophelia his death scene |
| gptkbp:is_motivated_by |
Serve the King
Maintain status Protect Ophelia |
| gptkbp:is_part_of |
gptkb:mythological_figure
the royal court of Denmark |
| gptkbp:is_related_to |
the theme of appearance vs reality
|
| gptkbp:known_for |
gptkb:Advice_to_Laertes
Spying on Hamlet |
| gptkbp:last_appearance |
Act 3, Scene 4
|
| gptkbp:legacy |
Symbol of Political Intrigue
|
| gptkbp:loyalty_program |
gptkb:King_Claudius
|
| gptkbp:mentor |
gptkb:King_Claudius
|
| gptkbp:notable_appearance |
The Play within a Play
|
| gptkbp:occupation |
gptkb:park
|
| gptkbp:passes_through |
a tapestry
|
| gptkbp:personality_trait |
Manipulative
Verbose |
| gptkbp:plot |
Advisor to Claudius
Spy on Hamlet Catalyst for Hamlet's Madness |
| gptkbp:portrayed_by |
Various Actors
Various actors various actors in adaptations overly cautious actors in stage productions film adaptations of Hamlet |
| gptkbp:relationship |
gptkb:King_Claudius
gptkb:Queen_Gertrude gptkb:Ophelia gptkb:Laertes gptkb:mythological_figure gptkb:Gertrude |
| gptkbp:role |
gptkb:Deception
gptkb:Madness Counselor to the King |
| gptkbp:symbolizes |
Political intrigue
Parental control |
| gptkbp:was_akey_figure_in |
the plot of Hamlet
|