|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:anime
gptkb:musical
gptkb:web_series
gptkb:Pride_and_Prejudice_(1995_TV_series)
gptkb:Bridget_Jones's_Diary
gptkb:television_series
gptkb:Pride_and_Prejudice_(2005_film)
gptkb:graphic_novel
gptkb:video_game
gptkb:2005_film
gptkb:Pride_and_Prejudice_and_Zombies
gptkb:parody
gptkb:Pride_and_Prejudice_(1940_film)
gptkb:Pride_and_Prejudice_(1980_TV_series)
gptkb:Pride_and_Prejudice_(musical)
gptkb:film
gptkb:stage_play
novel sequel
1995 miniseries
novel retelling
|
|
gptkbp:adaptation_year
|
gptkb:1995
gptkb:2005
gptkb:2016
gptkb:2020
|
|
gptkbp:adaptations
|
gptkb:musical
gptkb:television_series
gptkb:film
gptkb:stage_play
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:ballet
gptkb:television_series
gptkb:graphic_novel
gptkb:television
gptkb:film
gptkb:stage_play
|
|
gptkbp:antagonist
|
gptkb:Mr._Collins
gptkb:Mr._Wickham
|
|
gptkbp:author
|
gptkb:Jane_Austen
|
|
gptkbp:character
|
gptkb:Caroline_Bingley
gptkb:Mary_Bennet
gptkb:Kitty_Bennet
gptkb:Lydia_Bennet
gptkb:Jane_Bennet
gptkb:Mr._Bingley
gptkb:Lady_Catherine_de_Bourgh
gptkb:Mr._Collins
gptkb:Georgiana_Darcy
gptkb:Mr._Bennet
gptkb:Charlotte_Lucas
gptkb:Mrs._Bennet
gptkb:Mr._Wickham
Mr. Gardiner
Mrs. Gardiner
|
|
gptkbp:characters
|
gptkb:Lydia_Bennet
gptkb:Jane_Bennet
gptkb:Mr._Bingley
gptkb:Lady_Catherine_de_Bourgh
gptkb:Mr._Collins
gptkb:Georgiana_Darcy
gptkb:Mr._Wickham
|
|
gptkbp:conflict
|
internal conflict
family expectations
external conflict
romantic conflict
class differences
class conflict
social class issues
personal misunderstandings
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
widely acclaimed
well-received
considered a classic
widely regarded as a classic
|
|
gptkbp:cultural_impact
|
gptkb:popular_culture
influenced feminist literature
inspired adaptations
inspired numerous adaptations
influential in literature
widely regarded as a classic
inspired merchandise
inspired academic studies
inspired fan fiction
inspired parodies
inspired modern interpretations
inspired literary criticism
studied in literature courses
inspired feminist readings
inspired modern adaptations
inspired various retellings
inspired sequels
adaptations in various media
inspired retellings
adapted into numerous films
influenced modern romantic literature
popular among readers of all ages
widely adapted
|
|
gptkbp:cultural_significance
|
social commentary
classic literature
feminist literature
influenced feminist literature
inspired numerous adaptations
considered a classic
examines the role of women in society
explores themes of love and morality
|
|
gptkbp:film_editing
|
gptkb:Pride_and_Prejudice_(1995_TV_series)
gptkb:Pride_and_Prejudice_(2019_film)
gptkb:Pride_and_Prejudice_(2005)
gptkb:Pride_and_Prejudice_(2005_film)
gptkb:Pride_and_Prejudice_and_Zombies
gptkb:Pride_and_Prejudice_(1995)
gptkb:Pride_and_Prejudice_(1940_film)
gptkb:Pride_and_Prejudice_(1980_TV_series)
Bridget Jones's Diary (2001 film)
Pride and Prejudice and Zombies (2016 film)
The Lizzie Bennet Diaries (2012 web series)
Pride and Prejudice: A Latter-Day Comedy (2003 film)
|
|
gptkbp:first_edition
|
1813
|
|
gptkbp:followed_by
|
gptkb:Sense_and_Sensibility
|
|
gptkbp:genre
|
romance
Romantic fiction
romantic fiction
|
|
gptkbp:has_adaptation
|
gptkb:1995_BBC_miniseries
gptkb:2005_film
gptkb:Pride_and_Prejudice_and_Zombies
|
|
gptkbp:has_character
|
gptkb:Fitzwilliam_Darcy
gptkb:Mr._Darcy
gptkb:Elizabeth_Bennet
|
|
gptkbp:has_cultural_impact
|
Film Adaptations
Literary Classic
|
|
gptkbp:has_genre
|
gptkb:Romance
gptkb:drama
|
|
gptkbp:has_quote
|
You must allow me to tell you how ardently I admire and love you.
It is a truth universally acknowledged.
|
|
gptkbp:has_setting
|
gptkb:Longbourn
gptkb:Pemberley
gptkb:Netherfield_Park
|
|
gptkbp:has_theme
|
gptkb:class
gptkb:Love
gptkb:Reputation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Pride and Prejudice
|
|
gptkbp:influence
|
gptkb:film_adaptations
gptkb:film_industry
gptkb:literature
gptkb:historical_fiction
gptkb:popular_culture
gptkb:literary_criticism
cultural references
feminist literature
television adaptations
|
|
gptkbp:influenced
|
gptkb:theater
gptkb:literature
gptkb:television
gptkb:film
modern romantic novels
|
|
gptkbp:influenced_by
|
gptkb:Romanticism
|
|
gptkbp:influences
|
gptkb:Victorian_literature
|
|
gptkbp:inspiration
|
gptkb:Bridget_Jones's_Diary
gptkb:Pride_and_Prejudice_and_Zombies
modern romantic comedies
Austen's own life
Austen's own experiences
|
|
gptkbp:is_set_in
|
gptkb:England
|
|
gptkbp:is_studied_in
|
gptkb:character_development
gptkb:historical_context
gptkb:literary_criticism
moral lessons
cultural significance
social commentary
symbolism
character analysis
literary devices
plot structure
feminist literature
gender roles
historical accuracy
narrative techniques
theme analysis
reader response theory
character relationships
class distinctions
dialogue style
author's biography
|
|
gptkbp:isbn
|
978-1503290563
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_movement
|
gptkb:Romanticism
|
|
gptkbp:main_character
|
gptkb:Mr._Darcy
gptkb:Elizabeth_Bennet
|
|
gptkbp:motif
|
gptkb:dance
gptkb:education
gptkb:wealth
gptkb:letters
gptkb:family
gptkb:Pride_Month
love
conversations
prejudice
social expectations
social gatherings
individuality
reputation
courtship
first impressions
walks
ballroom dances
|
|
gptkbp:narrative
|
third-person
|
|
gptkbp:narrative_style
|
free indirect discourse
|
|
gptkbp:notable_quote
|
There is no charm equal to tenderness of heart.
A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony.
I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation.
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.
You must allow me to tell you how ardently I admire and love you.
I am excessively diverted.
You have bewitched me, body and soul.
My feelings will not be repressed.
Till this moment, I never knew myself.
I could easily forgive his pride, if he had not mortified mine.
|
|
gptkbp:original_language
|
English
|
|
gptkbp:page_count
|
432
approximately 300
approximately 432
|
|
gptkbp:pages
|
432
|
|
gptkbp:plot
|
misunderstandings
social commentary
family dynamics
courtship
|
|
gptkbp:protagonist
|
gptkb:Elizabeth_Bennet
|
|
gptkbp:published
|
1813
|
|
gptkbp:published_by
|
1813
|
|
gptkbp:published_in
|
gptkb:T._Egerton
1813
|
|
gptkbp:publisher
|
gptkb:T._Egerton
|
|
gptkbp:set_in
|
gptkb:England
|
|
gptkbp:setting
|
gptkb:England
early 19th century
Early 19th century England
|
|
gptkbp:style
|
satirical
ironic
|
|
gptkbp:symbolism
|
gptkb:Pemberley
gptkb:Netherfield_Park
gptkb:Pride_Month
Prejudice
Meryton
|
|
gptkbp:theme
|
gptkb:marriage
gptkb:social_class
gptkb:Pride_Month
prejudice
|
|
gptkbp:themes
|
gptkb:marriage
gptkb:class
gptkb:social_class
gptkb:Pride_Month
prejudice
class distinction
pride and prejudice
|
|
gptkbp:title
|
First Impressions
|
|
gptkbp:viewpoint
|
third-person
|
|
gptkbp:written_by
|
gptkb:Jane_Austen
|
|
gptkbp:year
|
early 19th century
|
|
gptkbp:bfsParent
|
gptkb:William_Taylor
gptkb:Camila_Carraro_Mendes
gptkb:Jane_Smith
gptkb:Sense_and_Sensibility
gptkb:Miss_D'_Arcy
gptkb:Boston_Marriage_(film)
gptkb:Mina_in_The_Best_Position
gptkb:Jodie_Comer
gptkb:Simon_&_Schuster
gptkb:Hodder_&_Stoughton
gptkb:Jane_Austen
gptkb:Emma
gptkb:Jacqueline_Durran
gptkb:Colin_Firth
gptkb:Talulah_Riley
gptkb:Angela_W._White
gptkb:Gutenberg_Bible
gptkb:Libri_Vox
|
|
gptkbp:bfsLayer
|
4
|