Statements (247)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Sir_Jodie_Comer
gptkb:Angela_White gptkb:Lena_Headey gptkb:Camila_Carraro_Mendes gptkb:Houghton_Mifflin_Harcourt gptkb:Simon_&_Schuster gptkb:Emma gptkb:Colin_Firth gptkb:novel |
| gptkbp:adaptation |
gptkb:anime
gptkb:musical gptkb:1995_BBC_miniseries gptkb:Pride_and_Prejudice_(1995_TV_series) gptkb:Bridget_Jones's_Diary gptkb:television_series gptkb:theatre gptkb:animated_television_series gptkb:Pride_and_Prejudice_(2005_film) gptkb:1995 gptkb:2005 gptkb:2016 gptkb:2020 gptkb:comic_book gptkb:graphic_novel gptkb:video_game gptkb:2005_film gptkb:Pride_and_Prejudice_and_Zombies gptkb:Pride_and_Prejudice_(1940_film) gptkb:Pride_and_Prejudice_(1980_TV_series) gptkb:Pride_and_Prejudice_(musical) gptkb:film novel sequel 1995 miniseries novel retelling |
| gptkbp:adapted_into |
gptkb:musical
gptkb:ballet gptkb:television_series gptkb:theatre gptkb:graphic_novel gptkb:film |
| gptkbp:antagonist |
gptkb:Mr._Collins
gptkb:Mr._Wickham |
| gptkbp:art_movement |
gptkb:award
|
| gptkbp:author |
gptkb:Jane_Austen
|
| gptkbp:character |
gptkb:Caroline_Bingley
gptkb:Mary_Bennet gptkb:Kitty_Bennet gptkb:Lydia_Bennet gptkb:Jane_Bennet gptkb:Mr._Bingley gptkb:Lady_Catherine_de_Bourgh gptkb:Mr._Collins gptkb:Georgiana_Darcy gptkb:Mr._Bennet gptkb:Charlotte_Lucas gptkb:Mrs._Bennet gptkb:Mr._Wickham Mr. Gardiner Mrs. Gardiner |
| gptkbp:conflict |
internal conflict
family expectations external conflict romantic conflict class differences class conflict social class issues personal misunderstandings |
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:critical_reception |
widely acclaimed
well-received considered a classic widely regarded as a classic |
| gptkbp:cultural_impact |
gptkb:organization
Film Adaptations influenced feminist literature inspired adaptations inspired numerous adaptations influential in literature widely regarded as a classic inspired merchandise inspired academic studies inspired fan fiction inspired parodies inspired modern interpretations inspired literary criticism studied in literature courses inspired feminist readings inspired modern adaptations inspired various retellings inspired sequels adaptations in various media inspired retellings Literary Classic adapted into numerous films influenced modern romantic literature popular among readers of all ages widely adapted |
| gptkbp:cultural_significance |
social commentary
classic literature feminist literature influenced feminist literature inspired numerous adaptations considered a classic examines the role of women in society explores themes of love and morality |
| gptkbp:filmography |
gptkb:Pride_and_Prejudice_(1995_TV_series)
gptkb:Pride_and_Prejudice_(2019_film) gptkb:Pride_and_Prejudice_(2005) gptkb:Pride_and_Prejudice_(2005_film) gptkb:Pride_and_Prejudice_and_Zombies gptkb:Pride_and_Prejudice_(1995) gptkb:Pride_and_Prejudice_(1940_film) gptkb:Pride_and_Prejudice_(1980_TV_series) Bridget Jones's Diary (2001 film) Pride and Prejudice and Zombies (2016 film) The Lizzie Bennet Diaries (2012 web series) Pride and Prejudice: A Latter-Day Comedy (2003 film) |
| gptkbp:followed_by |
gptkb:Sense_and_Sensibility
|
| gptkbp:genre |
romance
Romantic fiction romantic fiction |
| gptkbp:has |
You must allow me to tell you how ardently I admire and love you.
It is a truth universally acknowledged. |
| gptkbp:has_character |
gptkb:Fitzwilliam_Darcy
gptkb:Mr._Darcy gptkb:Elizabeth_Bennet |
| gptkbp:has_genre |
gptkb:Romance
gptkb:High_School |
| gptkbp:has_setting |
gptkb:Longbourn
gptkb:Pemberley gptkb:Netherfield_Park |
| gptkbp:has_theme |
gptkb:class
gptkb:Love gptkb:Reputation |
| https://www.w3.org/2000/01/rdf-schema#label |
Pride and Prejudice
|
| gptkbp:influence |
gptkb:church
gptkb:film_production_company gptkb:literary_work gptkb:film gptkb:organization cultural references feminist literature television adaptations |
| gptkbp:influenced |
gptkb:television_series
gptkb:theatre gptkb:literary_work gptkb:film modern romantic novels |
| gptkbp:influenced_by |
gptkb:award
|
| gptkbp:influences |
gptkb:Victorian_literature
|
| gptkbp:inspiration |
gptkb:Bridget_Jones's_Diary
gptkb:Pride_and_Prejudice_and_Zombies modern romantic comedies Austen's own life Austen's own experiences |
| gptkbp:is_studied_in |
gptkb:historical_event
gptkb:book gptkb:literary_work moral lessons cultural significance social commentary symbolism character analysis literary devices plot structure feminist literature gender roles historical accuracy narrative techniques theme analysis reader response theory character relationships class distinctions dialogue style author's biography |
| gptkbp:isbn |
978-1503290563
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Mr._Darcy
gptkb:Elizabeth_Bennet |
| gptkbp:motif |
gptkb:ballet
gptkb:education gptkb:wealth gptkb:rally gptkb:family gptkb:poet love conversations prejudice social expectations social gatherings individuality reputation courtship first impressions walks ballroom dances |
| gptkbp:narrative_style |
third-person
free indirect discourse |
| gptkbp:next_edition |
1813
|
| gptkbp:notable_quote |
There is no charm equal to tenderness of heart.
A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony. I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. You must allow me to tell you how ardently I admire and love you. I am excessively diverted. You have bewitched me, body and soul. My feelings will not be repressed. Till this moment, I never knew myself. I could easily forgive his pride, if he had not mortified mine. |
| gptkbp:official_language |
English
|
| gptkbp:page_count |
432
approximately 300 approximately 432 |
| gptkbp:plot |
misunderstandings
social commentary family dynamics courtship |
| gptkbp:published_by |
gptkb:T._Egerton
1813 |
| gptkbp:publisher |
gptkb:T._Egerton
|
| gptkbp:set_in |
gptkb:England
|
| gptkbp:setting |
gptkb:England
early 19th century Early 19th century England |
| gptkbp:style |
satirical
ironic |
| gptkbp:symbolism |
gptkb:Pemberley
gptkb:Netherfield_Park gptkb:rally Prejudice Meryton |
| gptkbp:theme |
gptkb:award
gptkb:class gptkb:rally prejudice |
| gptkbp:themes |
gptkb:award
gptkb:class gptkb:rally prejudice class distinction pride and prejudice |
| gptkbp:title |
First Impressions
|
| gptkbp:viewpoint |
third-person
|
| gptkbp:written_by |
gptkb:Jane_Austen
|
| gptkbp:year |
early 19th century
|