Scarpia

GPTKB entity

Statements (142)
Predicate Object
gptkbp:instance_of gptkb:opera
gptkb:character
gptkbp:adaptations gptkb:none
gptkbp:antagonist gptkb:Tosca
gptkbp:appears_in gptkb:Tosca
gptkbp:associated_with gptkb:Tosca
gptkb:Rome
gptkb:Angelotti
gptkb:Cavaradossi
gptkbp:character control
gptkbp:character_arc tragic end
descent into villainy
gptkbp:composer gptkb:Giacomo_Puccini
gptkbp:controls gptkb:Tosca
gptkbp:created_by gptkb:Giacomo_Puccini
gptkb:Victorien_Sardou
gptkbp:created_character gptkb:Victorien_Sardou
gptkbp:cultural_impact gptkb:opera
high
iconic villain
dramatic literature
gptkbp:demands gptkb:Tosca
gptkbp:depicted_in gptkb:film_adaptations
gptkb:opera
stage productions
gptkbp:example the operatic canon
gptkbp:famous_quote I am the law.
" I will have you, Tosca!"
" Tosca, you make me forget God!"
" Your beauty is a weapon!"
gptkbp:fan_art nan
gptkbp:fate killed by Tosca
gptkbp:features manipulation
gptkbp:first_appearance 1899
Act I
gptkbp:first_performance 1900
gptkbp:has_conflict_with gptkb:Tosca
gptkb:Mario_Cavaradossi
gptkb:Cavaradossi
gptkbp:has_role gptkb:antagonist
catalyst for conflict
source of tension
embodiment of evil
gptkbp:historical_context gptkb:Napoleonic_Wars
https://www.w3.org/2000/01/rdf-schema#label Scarpia
gptkbp:influence gptkb:opera
theatrical villain archetype
gptkbp:inspiration gptkb:Victorien_Sardou
gptkbp:inspired_by gptkb:historical_figures
police officials
gptkbp:interrogates gptkb:Cavaradossi
gptkbp:is gptkb:antagonist
gptkbp:is_a gptkb:antagonist
gptkb:Chief_of_Police
baritone role
chief of police
gptkbp:is_a_central_figure_in the opera's climax
gptkbp:is_a_representation_of gptkb:tyranny
abuse of power
gptkbp:is_a_symbol_of gptkb:tyranny
gptkbp:is_a_three-act_opera nan
gptkbp:is_a_tragic_character nan
gptkbp:is_a_work_by gptkb:Puccini
gptkbp:is_analyzed_in literary studies
gptkbp:is_associated_with gptkb:corruption
gptkbp:is_based_on_a_play_by gptkb:Victorien_Sardou
gptkbp:is_character_in gptkb:Tosca
gptkb:opera
Puccini's opera
gptkbp:is_depicted_as_manipulative nan
gptkbp:is_driven_by desire
gptkbp:is_feared_by the people
gptkbp:is_from gptkb:opera
gptkbp:is_in gptkb:Tosca
gptkbp:is_in_opera gptkb:Tosca
gptkbp:is_involved_in gptkb:political_intrigue
Tosca's fate
gptkbp:is_known_for his cruelty
his ruthlessness
gptkbp:is_motivated_by gptkb:power
gptkb:political_power
desire for Tosca
gptkbp:is_often_seen_in a symbol of oppression
gptkbp:is_often_used_in gptkb:Italian
gptkbp:is_portrayed_as cruel
deceitful
many baritones
gptkbp:is_ultimately_killed_by gptkb:Tosca
gptkbp:is_vulnerable_to political tensions
gptkbp:last_appearance present
Act III
gptkbp:libretto gptkb:Giuseppe_Giacosa
gptkbp:meets_his_end_at_the_hands_of gptkb:Tosca
gptkbp:motif love and betrayal
sacrifice and redemption
power and desire
gptkbp:music_style verismo
gptkbp:narrative power and control
gptkbp:narrative_theme desire
gptkbp:nationality gptkb:Italian
gptkbp:notable_aria gptkb:Te_Deum
gptkbp:notable_collaborations gptkb:none
gptkbp:notable_production gptkb:Royal_Opera_House
gptkbp:notable_scene confrontation with Tosca
gptkbp:notable_traits manipulation
seduction
cruelty
gptkbp:notable_villains gptkb:Tosca
gptkb:true
gptkbp:occupation chief of police
gptkbp:portrayed_by gptkb:Thomas_Hampson
gptkb:Ruggero_Raimondi
gptkb:George_London
gptkb:George_Gagnidze
various artists
various baritones
gptkbp:portrayed_in various operatic performances
gptkbp:relationship_with gptkb:Tosca
gptkb:Floria_Tosca
gptkb:Mario_Cavaradossi
gptkb:Cavaradossi
gptkbp:repertoire opera houses
gptkbp:result murdered
gptkbp:role gptkb:antagonist
gptkbp:setting gptkb:Rome
gptkbp:story_arc villainous
gptkbp:symbolism gptkb:oppression
the state
gptkbp:symbolizes gptkb:tyranny
gptkb:corruption
abuse of power
gptkbp:theme gptkb:power
gptkbp:time_period gptkb:19th_century
gptkbp:uses_cavaradossi_to_get_to gptkb:Tosca
gptkbp:uses_torture_on gptkb:Cavaradossi
gptkbp:was_executed_by gptkb:Tosca
gptkb:Cavaradossi
gptkbp:was_known_for ruthlessness
manipulative tactics
deceitfulness
gptkbp:bfsParent gptkb:Tosca
gptkbp:bfsLayer 4