Statements (64)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:orchestra
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Mahler_Symphony_No._2
gptkb:Symphony_No._2 gptkb:Mahler's_Symphony_No._2 gptkb:Mahler's_2nd_Symphony |
| gptkbp:artistic_legacy |
Mahler's second symphony is a defining work of the genre
|
| gptkbp:associated_band |
features soprano and alto soloists
|
| gptkbp:audience |
often elicits strong emotional responses from audiences
|
| gptkbp:collaborations |
collaborated with various choirs worldwide
|
| gptkbp:composer |
gptkb:Gustav_Mahler
|
| gptkbp:critical_reception |
widely acclaimed by critics and audiences alike
|
| gptkbp:cultural_impact |
considered a cornerstone of the symphonic repertoire
|
| gptkbp:cultural_references |
referenced in literature and popular culture
|
| gptkbp:cultural_significance |
performed at significant cultural events
|
| gptkbp:dedication |
dedicated to the memory of a friend
to the memory of the deceased |
| gptkbp:duration |
approximately 80 minutes
|
| gptkbp:filming_location |
gptkb:Berlin
|
| gptkbp:historical_context |
composed during the early 20th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Resurrection Symphony
|
| gptkbp:influenced_artists |
influenced composers like Benjamin Britten
|
| gptkbp:influences |
Romantic music
influenced later symphonic works influenced film scores and contemporary music |
| gptkbp:innovation |
incorporates innovative orchestral techniques
|
| gptkbp:inspiration |
inspired by Mahler's own experiences with death
|
| gptkbp:key |
C minor
|
| gptkbp:legacy |
remains a staple in orchestral repertoire
|
| gptkbp:movement |
gptkb:Finale
gptkb:Scherzo gptkb:5 gptkb:Adagio gptkb:Scherzo:_In_ruhig_fließender_Bewegung gptkb:Urlicht:_Primal_Light Allegro maestoso features a choral finale Andante moderato Im Tempo des Scherzos |
| gptkbp:music_style |
late-Romantic
frequently analyzed in musicology courses |
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
gptkb:Claudio_Abbado gptkb:Bernstein Gustav Mahler himself |
| gptkbp:notable_performance |
gptkb:Vienna_Philharmonic
often performed in memorial concerts performed at the BBC Proms performed at the first Vienna Philharmonic concert after WWII |
| gptkbp:notable_performers |
gptkb:Vienna_Philharmonic
|
| gptkbp:notable_recordings |
numerous commercial recordings available
Karajan's recording is particularly famous |
| gptkbp:number |
2
|
| gptkbp:opus_number |
gptkb:Symphony_No._2
|
| gptkbp:orchestration |
large orchestra
large orchestra with choir and soloists |
| gptkbp:performance |
requires large forces and skilled musicians
|
| gptkbp:premiere |
1908
|
| gptkbp:premiere_date |
1904
|
| gptkbp:record_label |
recorded by major classical labels
|
| gptkbp:repertoire |
follows traditional symphonic form
|
| gptkbp:text |
based on a poem by Friedrich Gottlieb Klopstock
|
| gptkbp:thematic_element |
life, death, and resurrection
|
| gptkbp:theme |
explores themes of existentialism
|