gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Ryūnosuke_Akutagawa
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gptkbp:adapted_into
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gptkb:theatre
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gptkbp:awards
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gptkb:Academy_Award_for_Best_Foreign_Language_Film
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gptkbp:based_on
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short stories by Ryūnosuke Akutagawa
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gptkbp:box_office
|
$1.5 million
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gptkbp:character_development
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multiple perspectives
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gptkbp:cinematography
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gptkb:Kazuo_Miyagawa
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gptkbp:critical_reception
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highly acclaimed
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gptkbp:cultural_impact
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influence on world cinema
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gptkbp:cultural_significance
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pioneering narrative techniques
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gptkbp:directed_by
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gptkb:Akira_Kurosawa
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gptkbp:editor
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gptkb:Akira_Kurosawa
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gptkbp:features_character
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the wife
the samurai
the bandit
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gptkbp:filming_location
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gptkb:Toei_Kyoto_Studio_Park
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gptkbp:filmography
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gptkb:The_Last_Duel
gptkb:The_Usual_Suspects
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gptkbp:genre
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gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
Rashōmon
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gptkbp:influenced
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gptkb:video_game
narrative storytelling
documentary filmmaking
philosophy of truth
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gptkbp:influenced_by
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gptkb:mythological_figure
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gptkbp:inspired
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gptkb:TV_shows
gptkb:Rashomon_effect
gptkb:literary_work
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gptkbp:is_featured_in
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gptkb:AFI's_100_Years...100_Movies
Sight & Sound's Greatest Films of All Time
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gptkbp:language
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gptkb:Japanese
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gptkbp:music_by
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gptkb:Fumio_Hayasaka
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gptkbp:notable_appearance
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the forest scene
the trial scene
the Rashōmon gate scene
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gptkbp:notable_character
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gptkb:Kōji_Tsuruta
gptkb:Machiko_Kyō
gptkb:Toshiko_Kobayashi
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Takashi_Shimura
gptkb:Fumio_Hayasaka
gptkb:Yoshiko_Kuga
gptkb:Chieko_Naniwa
gptkb:Kichijiro_Ueda
|
gptkbp:notable_for
|
its narrative structure
|
gptkbp:notable_production
|
gptkb:Akira_Kurosawa
|
gptkbp:notable_quote
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“ The truth is different for each person.”
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gptkbp:produced_by
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gptkb:Akira_Kurosawa_Productions
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gptkbp:release_year
|
1950
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gptkbp:remake
|
gptkb:Rashomon_(1964)
|
gptkbp:runtime
|
88 minutes
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gptkbp:screenplay_by
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gptkb:Akira_Kurosawa
|
gptkbp:set_in
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gptkb:Kyoto
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gptkbp:themes
|
truth and perception
|