|
gptkbp:instance_of
|
gptkb:anthology
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Ryūnosuke_Akutagawa
gptkb:Ryuunosuke_Akutagawa
gptkb:Ryunosuke_Akutagawa
|
|
gptkbp:adaptation
|
gptkb:The_Outrage_(film)
gptkb:television_series
gptkb:theatre
gptkb:film
Rashomon (film)
The Tale of the Princess Kaguya (film)
|
|
gptkbp:adapted_into
|
gptkb:Rashomon
|
|
gptkbp:author
|
gptkb:Ryūnosuke_Akutagawa
gptkb:Ryunosuke_Akutagawa
|
|
gptkbp:awards
|
gptkb:award
gptkb:Golden_Lion
gptkb:National_Board_of_Review_award
BAFTA nomination
Best Foreign Language Film nomination
Cannes Film Festival nomination
|
|
gptkbp:based_on
|
gptkb:anthology
|
|
gptkbp:character_development
|
gptkb:moral_ambiguity
complex characters
|
|
gptkbp:cinematography
|
gptkb:Asakazu_Nakai
|
|
gptkbp:critical_reception
|
highly acclaimed
highly regarded
|
|
gptkbp:cultural_impact
|
influential in cinema
influence on storytelling techniques
influence on narrative structure
exploration of subjective truth
|
|
gptkbp:cultural_significance
|
explores subjective truth
|
|
gptkbp:director
|
gptkb:Akira_Kurosawa
|
|
gptkbp:distributor
|
gptkb:Toho
|
|
gptkbp:features
|
gptkb:Machiko_Kyō
gptkb:Toshiro_Mifune
gptkb:Masayuki_Mori
gptkb:Toshirō_Mifune
|
|
gptkbp:filmography
|
gptkb:Akira_Kurosawa
|
|
gptkbp:first_published
|
gptkb:1922
Shinchō
|
|
gptkbp:genre
|
gptkb:anthology
gptkb:High_School
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
In a Grove
|
|
gptkbp:influence
|
gptkb:Artist
postmodern literature
global literature
psychological fiction
inspired filmmakers
|
|
gptkbp:influenced
|
gptkb:church
gptkb:Rashomon
gptkb:book
film noir
documentary filmmaking
modern storytelling
psychological thrillers
screenwriting techniques
|
|
gptkbp:influenced_by
|
gptkb:Artist
|
|
gptkbp:influences
|
modernist literature
|
|
gptkbp:inspiration
|
gptkb:Rashomon
gptkb:The_Rashomon_Effect
|
|
gptkbp:inspired
|
numerous adaptations
|
|
gptkbp:is_available_in
|
multiple languages
English translation
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:length
|
short story format
|
|
gptkbp:literary_devices
|
gptkb:Person
gptkb:language
gptkb:mythological_figure
gptkb:literary_work
symbolism
imagery
irony
suspense
foreshadowing
flashback
allusion
|
|
gptkbp:music
|
gptkb:Masaru_Satō
|
|
gptkbp:narrative_style
|
stream of consciousness
multiple perspectives
flashbacks
unreliable narrator
|
|
gptkbp:notable_appearance
|
the final revelation
the bandit’s confession
the samurai’s story
the wife’s perspective
the woodcutter’s testimony
|
|
gptkbp:notable_character
|
gptkb:Masago
gptkb:Tajomaru
the wife
the priest
the magistrate
the samurai
the bandit
the woodcutter
|
|
gptkbp:notable_for
|
multiple perspectives
|
|
gptkbp:notable_work
|
gptkb:Ryūnosuke_Akutagawa
|
|
gptkbp:plot
|
multiple viewpoints
non-linear narrative
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Daiei_Film
|
|
gptkbp:published_by
|
gptkb:1922
gptkb:Shinchōsha
1915
|
|
gptkbp:release_year
|
1950
|
|
gptkbp:remake
|
gptkb:The_Outrage
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Akira_Kurosawa
|
|
gptkbp:set_in
|
gptkb:Japan
|
|
gptkbp:setting
|
gptkb:Japan
|
|
gptkbp:symbolism
|
the mirror
the sword
the rain
the grove
|
|
gptkbp:theme
|
truth and perception
|
|
gptkbp:themes
|
gptkb:justice
perception
subjectivity
truth
|
|
gptkbp:title
|
藪の中
|
|
gptkbp:writer
|
gptkb:Ryūnosuke_Akutagawa
|
|
gptkbp:written_by
|
gptkb:Ryūnosuke_Akutagawa
|