|
gptkbp:instanceOf
|
film
|
|
gptkbp:availability
|
public domain
|
|
gptkbp:cinematographyBy
|
gptkb:Eduard_Tisse
|
|
gptkbp:country
|
gptkb:Mexico
|
|
gptkbp:criticalReception
|
mixed reviews
|
|
gptkbp:culturalSignificance
|
exploration_of_Mexican_identity
|
|
gptkbp:director
|
gptkb:Sergei_Eisenstein
|
|
gptkbp:editedBy
|
gptkb:Sergei_Eisenstein
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:genre
|
documentary
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Que Viva Mexico!
|
|
gptkbp:influencedBy
|
gptkb:Aztec_civilization
gptkb:Mexican_Revolution
gptkb:Maya_civilization
Spanish_colonization
Mexican_folklore
Mexican_art
|
|
gptkbp:inspiration
|
later filmmakers
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:legacy
|
influential in documentary filmmaking
|
|
gptkbp:musicBy
|
gptkb:Eugene_Zador
|
|
gptkbp:narrativeStyle
|
non-linear
|
|
gptkbp:notableFeature
|
indigenous culture
Day of the Dead
revolutionary themes
Mexican_festivals
rural_life_in_Mexico
urban_life_in_Mexico
|
|
gptkbp:notableFor
|
depiction_of_Mexican_culture
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:productionCompany
|
Gomont
|
|
gptkbp:releaseYear
|
1930
|
|
gptkbp:renovated
|
2000
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Sergei_Eisenstein
|
|
gptkbp:style
|
expressionist
|
|
gptkbp:theme
|
cultural heritage
social issues
historical events
nationalism
|