Statements (92)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Olivier_Messiaen
|
| gptkbp:adaptation |
for different instruments
|
| gptkbp:arrangements |
for various ensembles
|
| gptkbp:artistic_influence |
influenced contemporary composers
influenced avant-garde music influenced jazz musicians influenced popular music composers |
| gptkbp:associated_with |
existential themes
|
| gptkbp:available_formats |
CD
digital vinyl |
| gptkbp:composer |
gptkb:Olivier_Messiaen
|
| gptkbp:critical_reception |
highly acclaimed
highly acclaimed by critics |
| gptkbp:cultural_impact |
impact on 20th-century music
|
| gptkbp:cultural_references |
referenced in various cultural works
|
| gptkbp:cultural_significance |
widely regarded as a masterpiece
considered a masterpiece |
| gptkbp:dedication |
gptkb:prison
to the prisoners of war |
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:education |
studied in music schools
|
| gptkbp:filming_location |
gptkb:Stalag_VIII-A
|
| gptkbp:filmography |
featured in various films
|
| gptkbp:first_performance |
January 15, 1941
|
| gptkbp:historical_context |
varied interpretations by performers
written during World War II |
| https://www.w3.org/2000/01/rdf-schema#label |
Quartet for the End of Time
|
| gptkbp:influence |
gptkb:philosopher
|
| gptkbp:influenced |
film scores
contemporary composers |
| gptkbp:influenced_artists |
inspired literary works
inspired other composers |
| gptkbp:influences |
gptkb:philosopher
gptkb:mythological_figure nature |
| gptkbp:inspiration |
gptkb:church
|
| gptkbp:inspired |
gptkb:painting
gptkb:literary_work |
| gptkbp:instrument |
gptkb:musician
|
| gptkbp:is_a_venue_for |
performed in concert halls worldwide
|
| gptkbp:is_analyzed_in |
for its structure
|
| gptkbp:is_discussed_in |
in music theory
|
| gptkbp:is_featured_in |
in documentaries
|
| gptkbp:is_influenced_by |
influenced minimalist composers
|
| gptkbp:is_often_associated_with |
in popular culture
in playlists of classical music |
| gptkbp:is_often_used_in |
in memorials
|
| gptkbp:is_studied_in |
in musicology courses
|
| gptkbp:legacy |
part of Messiaen's legacy
influential in modern classical music |
| gptkbp:movement |
five
|
| gptkbp:music_style |
gptkb:orchestra
uses non-traditional harmonies uses complex rhythms uses bird songs uses extended techniques for instruments uses modes of limited transposition |
| gptkbp:notable_conductors |
conducted by famous conductors
|
| gptkbp:notable_feature |
complex rhythms
harmonic language use of bird songs |
| gptkbp:notable_performance |
various ensembles
performed by many orchestras by renowned quartets |
| gptkbp:notable_recordings |
numerous
widely recorded recorded by the Emerson String Quartet by famous musicians recorded by the Hagen Quartet recorded by the Cleveland Quartet recorded by the Tokyo String Quartet recorded by the Quatuor Ébène |
| gptkbp:performance |
performed regularly since its premiere
difficult to perform |
| gptkbp:performed_by |
orchestras
soloists concert halls worldwide major music festivals |
| gptkbp:philosophy |
reflects Messiaen's philosophy of time
|
| gptkbp:record_label |
recorded by major record labels
multiple labels |
| gptkbp:repertoire |
for chamber music ensembles
|
| gptkbp:style |
20th-century classical music
|
| gptkbp:themes |
gptkb:mythological_figure
suffering redemption eternity |
| gptkbp:user_experience |
inspired by his captivity
|
| gptkbp:year_composed |
1941
|