Prelude to the Afternoon of a Faun
GPTKB entity
Statements (96)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:ballet
gptkb:poet |
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Afternoon_of_a_Faun
gptkb:Melancholia_(soundtrack) |
| gptkbp:adapted_into |
literary sources
|
| gptkbp:arrangements |
various ensembles
|
| gptkbp:associated_with |
gptkb:Ballets_Russes
French music |
| gptkbp:based_on |
a poem by Stéphane Mallarmé
|
| gptkbp:characteristics |
sensuality
|
| gptkbp:choreography |
gptkb:Vaslav_Nijinsky
|
| gptkbp:composer |
gptkb:Claude_Debussy
|
| gptkbp:cultural_impact |
inspired ballet adaptations
|
| gptkbp:dedication |
gptkb:none
|
| gptkbp:duration |
approximately 10 minutes
|
| gptkbp:famous_for |
its innovative use of harmony
|
| gptkbp:features |
a faun character
|
| gptkbp:first_performance |
gptkb:Paris
was controversial |
| gptkbp:form |
one-movement work
|
| gptkbp:has_influence_on |
subsequent ballet works
|
| https://www.w3.org/2000/01/rdf-schema#label |
Prelude to the Afternoon of a Faun
|
| gptkbp:influenced |
gptkb:musician
modern dance film music modern music contemporary classical music |
| gptkbp:influenced_artists |
gptkb:Maurice_Ravel
|
| gptkbp:inspiration |
poem by Stéphane Mallarmé
|
| gptkbp:inspired |
dance interpretations
|
| gptkbp:instrumentation |
gptkb:harp
|
| gptkbp:is_analyzed_in |
musicology studies
its harmonic structure |
| gptkbp:is_associated_with |
the early 20th century ballet movement
|
| gptkbp:is_celebrated_in |
lyrical melodies
its artistic innovation dance literature |
| gptkbp:is_considered |
a landmark in ballet history
a masterpiece of choreography a precursor to modern ballet a turning point in ballet |
| gptkbp:is_discussed_in |
music theory classes
|
| gptkbp:is_featured_in |
music festivals
film soundtracks |
| gptkbp:is_influential_in |
the field of dance
|
| gptkbp:is_known_for |
its artistic expression
its sensual themes |
| gptkbp:is_noted_for |
its unique staging
|
| gptkbp:is_often_associated_with |
gptkb:literary_work
music anthologies |
| gptkbp:is_often_depicted_as |
a depiction of nature.
|
| gptkbp:is_often_used_in |
educational settings
recitals |
| gptkbp:is_part_of |
the cultural heritage of ballet
the history of ballet the repertoire of many ballet companies |
| gptkbp:is_recognized_by |
dance historians
a significant artistic achievement |
| gptkbp:is_referenced_in |
various art critiques
|
| gptkbp:is_studied_in |
dance schools
|
| gptkbp:key |
E major
|
| gptkbp:music_by |
gptkb:Claude_Debussy
|
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_feature |
rich textures
improvisational feel |
| gptkbp:notable_for |
its innovative choreography
its atmospheric quality its opening flute solo its use of music and movement |
| gptkbp:notable_recordings |
gptkb:Herbert_von_Karajan
|
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:performed_by |
gptkb:various_countries
gptkb:Ballets_Russes_dancers the 21st century concert halls worldwide symphony orchestras ballet festivals chamber orchestras international ballet companies many orchestras famous ballet dancers major theaters leading ballet companies |
| gptkbp:premiere |
1894
|
| gptkbp:premiered_on |
gptkb:Theater_du_Chatelet
1912-05-29 |
| gptkbp:published_by |
Durand
|
| gptkbp:related_works |
gptkb:Nocturnes
|
| gptkbp:repertoire |
orchestral repertoire
|
| gptkbp:restoration |
numerous times
|
| gptkbp:set_in |
a pastoral landscape
|
| gptkbp:signature_move |
flute solo
|
| gptkbp:style |
gptkb:painting
|
| gptkbp:themes |
pastoral imagery
|
| gptkbp:year_composed |
1894
|