Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:beer
gptkb:John_Adams gptkb:Philip_Glass |
| gptkbp:associated_with |
artists such as Donald Judd
artists such as Eva Hesse artists such as Robert Morris |
| gptkbp:defines |
its embrace of complexity
its incorporation of narrative elements its rejection of strict minimalism |
| gptkbp:exhibited_at |
Galleries
Museums Art fairs |
| gptkbp:focuses_on |
the viewer's experience
|
| gptkbp:has_influence_on |
Contemporary art
Sculptural practices Installation art practices |
| https://www.w3.org/2000/01/rdf-schema#label |
Post-minimalism
|
| gptkbp:includes |
gptkb:art_installation
gptkb:artwork |
| gptkbp:influenced_by |
gptkb:Minimalism
Conceptual art |
| gptkbp:is_characterized_by |
use of unconventional materials
focus on process |
| gptkbp:is_compared_to |
Traditional minimalism
|
| gptkbp:is_criticized_for |
gptkb:museum
gptkb:literary_work Art historians |
| gptkbp:is_documented_in |
Art journals
Exhibition catalogs Books on contemporary art |
| gptkbp:is_explored_in |
themes of identity
themes of perception themes of materiality |
| gptkbp:is_noted_for |
its emotional engagement
its emphasis on the process of making its tactile qualities |
| gptkbp:is_related_to |
gptkb:church
Feminist art Environmental art |
| gptkbp:is_studied_in |
Art schools
Art history courses Contemporary art programs |
| gptkbp:origin |
gptkb:United_States
|
| gptkbp:performed_by |
Emerging artists
Established artists |
| gptkbp:premiered_on |
1960s
|