Statements (146)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:associated_with |
artists such as Helen Frankenthaler
artists such as Kenneth Noland artists such as Morris Louis |
| gptkbp:defines |
its rejection of gestural brushwork
|
| gptkbp:developed_by |
gptkb:political_organization
1960s |
| gptkbp:emphasizes |
non-representational forms
|
| gptkbp:examines |
gptkb:literary_work
art theory discussions art critiques. |
| gptkbp:exemplified_by |
Helen Frankenthaler's ' Mountains and Sea'.
Kenneth Noland's ' Target' series. Morris Louis's ' Veil' series. works of Kenneth Noland works of Morris Louis |
| gptkbp:exhibited_at |
gptkb:Los_Angeles_County_Museum_of_Art
gptkb:the_Museum_of_Modern_Art gptkb:the_Whitney_Museum_of_American_Art permanent collections international art fairs group exhibitions solo exhibitions galleries worldwide various art museums other modern art movements the Guggenheim Museum. the Museum of Modern Art. the Whitney Museum of American Art. |
| gptkbp:features |
translucent layers of paint
|
| gptkbp:focuses_on |
the use of color
the use of texture the use of shape flatness of the canvas |
| gptkbp:has_exhibition |
in major art institutions.
|
| gptkbp:has_influence_on |
gptkb:soundtrack
|
| https://www.w3.org/2000/01/rdf-schema#label |
Post-Painterly Abstraction
|
| gptkbp:includes |
large-scale works
|
| gptkbp:influenced_by |
gptkb:Color_Field_painting
gptkb:political_organization |
| gptkbp:is |
figurative art
gestural painting |
| gptkbp:is_analyzed_in |
academic papers
|
| gptkbp:is_associated_with |
gptkb:the_New_York_School
the use of acrylic paint |
| gptkbp:is_celebrated_in |
art exhibitions
art festivals art institutions art fairs art festivals. art retrospectives art conferences. art symposiums. |
| gptkbp:is_challenged_by |
new artistic movements
postmodern art movements |
| gptkbp:is_characterized_by |
flatness
emphasis on color large canvases lack of brush strokes translucent layers of paint a focus on color relationships |
| gptkbp:is_compared_to |
gestural painting
|
| gptkbp:is_connected_to |
art movements of the 20th century
the rise of conceptual art |
| gptkbp:is_considered |
a precursor to Postmodern art.
a reaction against Abstract Expressionism. a reaction against traditional painting techniques a reaction against Abstract Expressionism |
| gptkbp:is_criticized_for |
gptkb:art_historians
art literature |
| gptkbp:is_discussed_in |
art forums
art critiques. art theory discussions. art blogs. |
| gptkbp:is_documented_in |
art publications
exhibition catalogs. museum catalogs academic journals. art history texts. |
| gptkbp:is_evaluated_by |
for its exploration of form.
for its impact on future art movements. for its innovative approach to color. |
| gptkbp:is_explored_in |
gptkb:literary_work
art workshops art history courses art documentaries |
| gptkbp:is_featured_in |
art books
art retrospectives |
| gptkbp:is_influenced_by |
gptkb:European_modernism
the color theories of Josef Albers. the ideas of Russian Constructivism. the work of Piet Mondrian. the color field movement the color theory |
| gptkbp:is_influential_in |
art education
art theory the development of modern art |
| gptkbp:is_linked_to |
the evolution of abstract art
the rise of conceptual art |
| gptkbp:is_noted_for |
its exploration of color theory
|
| gptkbp:is_part_of |
gptkb:soundtrack
modern art Los Angeles art scene the history of American art the evolution of American art. the evolution of modern art the discourse on abstraction. the narrative of modernism. |
| gptkbp:is_prominent_in |
American art history
|
| gptkbp:is_promoted_by |
gptkb:art_gallery
|
| gptkbp:is_recognized_by |
gptkb:literary_work
gptkb:art_historians for its aesthetic contributions. for its theoretical implications. |
| gptkbp:is_recognized_for |
its innovative techniques
its innovative approach to painting |
| gptkbp:is_reflected_in |
contemporary painting practices
|
| gptkbp:is_related_to |
gptkb:Minimalism
minimalism |
| gptkbp:is_studied_in |
art schools
art history courses graduate art programs |
| gptkbp:notable_artists |
gptkb:Morris_Louis
gptkb:Kenneth_Noland |
| gptkbp:origin |
gptkb:United_States
|
| gptkbp:premiered_on |
1960s
|
| gptkbp:produced_by |
artistic dialogue.
scholarly research. |
| gptkbp:promotes |
spontaneity in painting
|
| gptkbp:utilizes |
non-traditional materials
|
| gptkbp:bfsParent |
gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler gptkb:Agnes_Martin gptkb:Untitled_#711 gptkb:Color_Field_painting gptkb:Robert_Motherwell gptkb:Mark_Rothko gptkb:Philip_Guston gptkb:The_New_American_Painting gptkb:Frank_Stella gptkb:The_New_York_School gptkb:Ellsworth_Kelly gptkb:Richard_Diebenkorn gptkb:The_Black_Paintings gptkb:František_Kupka |
| gptkbp:bfsLayer |
4
|