|
gptkbp:instanceOf
|
gptkb:painting
|
|
gptkbp:aimsTo
|
achieve greater luminosity
|
|
gptkbp:category
|
visual arts
|
|
gptkbp:characteristic
|
use of small dots of color
|
|
gptkbp:contrastsWith
|
traditional brushstrokes
|
|
gptkbp:countryOfOrigin
|
gptkb:France
|
|
gptkbp:developedBy
|
gptkb:Georges_Seurat
gptkb:Paul_Signac
|
|
gptkbp:exhibitedAt
|
gptkb:Salon_des_Indépendants
|
|
gptkbp:firstAppearance
|
1880s
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Pointillism
|
|
gptkbp:influenced
|
gptkb:Neo-Impressionism
|
|
gptkbp:influencedBy
|
gptkb:Impressionism
|
|
gptkbp:literaryPeriod
|
late 19th century
|
|
gptkbp:medium
|
oil painting
canvas
|
|
gptkbp:movement
|
gptkb:Post-Impressionism
|
|
gptkbp:notableArtist
|
gptkb:Camille_Pissarro
gptkb:Maximilien_Luce
gptkb:Henri-Edmond_Cross
gptkb:Charles_Angrand
|
|
gptkbp:notableWork
|
gptkb:A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
|
|
gptkbp:relatedTo
|
gptkb:Divisionism
|
|
gptkbp:technique
|
placing pure color dots side by side
|
|
gptkbp:uses
|
optical color mixing
|
|
gptkbp:bfsParent
|
gptkb:Impressionism
gptkb:Georges_Seurat
gptkb:SS_Amsterdam_in_Front_of_Rotterdam
gptkb:A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
gptkb:Michel_Eugène_Chevreul
gptkb:Armory_Show
|
|
gptkbp:bfsLayer
|
5
|