|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:associated_with
|
gptkb:Paul_Signac
gptkb:Georges_Seurat
|
|
gptkbp:characterized_by
|
pointillism
divisionism
|
|
gptkbp:constructed_in
|
gptkb:Belle_Époque
|
|
gptkbp:criticism
|
limited emotional expression
seen as overly scientific
seen as too rigid
|
|
gptkbp:declined_in
|
early 20th century
|
|
gptkbp:developed_by
|
gptkb:late_19th_century
|
|
gptkbp:emphasizes
|
visual perception
light and color
harmony in color
scientific approach to color
|
|
gptkbp:exemplified_by
|
gptkb:Signac's_works
Seurat's technique
|
|
gptkbp:exhibited_at
|
gptkb:Exposition_Universelle_1889
gptkb:Exposition_Universelle_1900
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Neo-Impressionism
|
|
gptkbp:influenced
|
abstract art
futurism
modern art
|
|
gptkbp:influenced_by
|
gptkb:Impressionism
|
|
gptkbp:legacy
|
influenced contemporary art movements
influenced graphic design
influenced color field painting
influenced digital art
|
|
gptkbp:notable_artist
|
gptkb:The_Port_of_Antwerp
gptkb:A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
gptkb:The_Bathers
gptkb:The_Bridge_at_Courbevoie
gptkb:The_Circus
gptkb:Paul_Signac
gptkb:Maximilien_Luce
gptkb:Henri-Edmond_Cross
gptkb:Théo_van_Rysselberghe
|
|
gptkbp:notable_exhibition
|
gptkb:Salon_des_Indépendants
|
|
gptkbp:originated_in
|
gptkb:France
|
|
gptkbp:related_to
|
gptkb:Symbolism
gptkb:Fauvism
gptkb:Post-Impressionism
|
|
gptkbp:technique
|
color theory
optical mixing
|
|
gptkbp:bfsParent
|
gptkb:A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte
gptkb:Post-Impressionism
gptkb:The_Water_Lilies
gptkb:Camille_Pissarro
gptkb:Vincent_van_Gogh
gptkb:Cézanne
|
|
gptkbp:bfsLayer
|
4
|