Statements (85)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Claude_Debussy
gptkb:Beethoven |
gptkbp:analysis |
frequently analyzed in musicology
|
gptkbp:arrangements |
arrangements for different ensembles
|
gptkbp:artistic_influence |
influenced the development of chamber music.
|
gptkbp:audience |
popular among audiences
well-received by audiences |
gptkbp:character |
lyrical and expressive
|
gptkbp:characteristics |
dialogue between instruments
|
gptkbp:composer |
gptkb:Joseph_Haydn
|
gptkbp:critical_reception |
generally positive
generally well-received by critics |
gptkbp:cultural_impact |
influenced later composers
reflects late 18th-century musical trends |
gptkbp:cultural_significance |
part of Western classical music tradition
important in classical music history |
gptkbp:dedication |
gptkb:unknown
to the Countess Maria Anna von Erdödy |
gptkbp:duration |
approximately 20 minutes
|
gptkbp:education |
used in music education
|
gptkbp:first_performance |
gptkb:unknown
1797 |
gptkbp:focuses_on |
often used in music education
|
gptkbp:form |
sonata form
|
gptkbp:genre |
gptkb:orchestra
|
gptkbp:historical_context |
late 18th century
varies by performer varied interpretations by performers by famous pianists and ensembles |
gptkbp:historical_significance |
represents Haydn's contribution to the genre
reflects the evolution of chamber music |
https://www.w3.org/2000/01/rdf-schema#label |
Piano Trio in G major
|
gptkbp:influenced |
subsequent piano trios
|
gptkbp:influenced_by |
Viennese classical tradition
|
gptkbp:influences |
classical music
influenced piano trio compositions Viennese classical tradition |
gptkbp:inspiration |
Haydn's experiences in London
|
gptkbp:instrument |
gptkb:musician
|
gptkbp:instrumentation |
gptkb:musician
|
gptkbp:key |
G major
|
gptkbp:language |
rich harmonic language
|
gptkbp:legacy |
remains a staple in concert repertoire
remains a staple in chamber music repertoire |
gptkbp:movement |
gptkb:Allegro
gptkb:3 gptkb:Adagio Allegro molto |
gptkbp:music_style |
three movements
subject of various studies uses counterpoint and harmony melody, harmony, rhythm follows classical sonata form melodies are memorable |
gptkbp:notable_event |
performed at major music festivals
|
gptkbp:notable_feature |
use of counterpoint
|
gptkbp:notable_performance |
performed in chamber music festivals
performed by various chamber ensembles |
gptkbp:notable_performers |
various ensembles
performed by renowned musicians |
gptkbp:notable_production |
among Haydn's notable compositions
|
gptkbp:notable_recordings |
numerous
numerous recordings available featured in many classical music collections |
gptkbp:performance |
historically informed performance
concerts and recitals requires skilled musicianship requires skilled performers |
gptkbp:published_by |
1797
1798 |
gptkbp:record_label |
various labels
recorded by major classical labels |
gptkbp:recorded_by |
various years
|
gptkbp:related_works |
other piano trios by Haydn
|
gptkbp:significance |
important work in chamber music repertoire
|
gptkbp:social_structure |
sonata form in first movement
|
gptkbp:style |
gptkb:classical
Classical |
gptkbp:thematic_element |
uses folk-like themes
|
gptkbp:theme |
explores various musical themes
|
gptkbp:themes |
lyrical and playful
|
gptkbp:transcribed_for |
arrangements for other ensembles
|
gptkbp:year_composed |
1797
|