Piano Trio in E minor, Op. 67
GPTKB entity
Statements (82)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Antonín_Dvořák
|
| gptkbp:analysis |
often analyzed in musicology courses
often analyzed for its emotional depth |
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:characteristics |
rhythmic complexity
lyrical melodies dramatic contrasts lyrical and dramatic use of dissonance |
| gptkbp:collaborations |
other composers
|
| gptkbp:composer |
gptkb:Dmitri_Shostakovich
|
| gptkbp:critical_reception |
widely acclaimed
widely acclaimed by critics |
| gptkbp:cultural_impact |
influenced Russian music
part of the standard chamber music repertoire |
| gptkbp:cultural_significance |
reflects the emotional turmoil of its time
reflection of suffering during war |
| gptkbp:dedication |
To the memory of the victims of fascism
In memory of the victims of fascism |
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Leningrad
|
| gptkbp:form |
sonata form in first movement
|
| gptkbp:genre |
gptkb:orchestra
|
| gptkbp:historical_context |
written during the Siege of Leningrad
written during a tumultuous period in history |
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Trio in E minor, Op. 67
|
| gptkbp:impact |
evokes strong emotional responses
|
| gptkbp:influenced |
composers of the 20th century
later chamber works by Shostakovich |
| gptkbp:influenced_artists |
many contemporary composers
|
| gptkbp:influenced_by |
Russian folk music
|
| gptkbp:influences |
gptkb:World_War_II
|
| gptkbp:inspiration |
gptkb:historical_event
gptkb:personal_loss |
| gptkbp:involved_forces |
piano, violin, cello
|
| gptkbp:is_featured_in |
music festivals
|
| gptkbp:is_often_used_in |
in memorial concerts
|
| gptkbp:is_recognized_by |
a masterpiece of the 20th century
|
| gptkbp:is_studied_in |
often studied in musicology courses
|
| gptkbp:key |
E minor
|
| gptkbp:legacy |
considered a masterpiece of chamber music.
considered a significant work in chamber music repertoire |
| gptkbp:movement |
gptkb:Allegro
gptkb:Largo gptkb:Poco_Allegretto gptkb:3 gptkb:4 gptkb:Allegro_con_brio |
| gptkbp:music_style |
sonata form in first movement
employs dissonance uses counterpoint combines traditional and modern elements rondo form in third movement ternary form in second movement features thematic development incorporates motifs |
| gptkbp:narrative_theme |
struggle and survival
grief and resilience sorrow and hope |
| gptkbp:notable_features |
contrapuntal writing
|
| gptkbp:notable_performance |
frequently performed in concert halls
|
| gptkbp:notable_performers |
gptkb:Sviatoslav_Richter
gptkb:Mstislav_Rostropovich gptkb:David_Oistrakh gptkb:Emil_Gilels |
| gptkbp:notable_recordings |
multiple recordings available
recorded by various artists recorded by various ensembles |
| gptkbp:part_of |
Shostakovich's chamber music output
|
| gptkbp:performance |
often performed in memorial concerts
requires advanced technical skills |
| gptkbp:performed_by |
many renowned ensembles
frequently in concert halls |
| gptkbp:premiere_date |
gptkb:1944
|
| gptkbp:published_by |
gptkb:DSCH_Publishers
|
| gptkbp:related_works |
gptkb:Piano_Trio_No._1_in_C_minor,_Op._8
gptkb:Piano_Trio_No._2_in_E_minor,_Op._67 |
| gptkbp:style |
modern classical
|
| gptkbp:thematic_element |
explores themes of loss and resilience
|
| gptkbp:year_composed |
gptkb:1944
|