Statements (76)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:analysis |
often analyzed in musicology
often analyzed for its emotional depth |
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:audience |
emotional response from audiences
|
| gptkbp:available_formats |
gptkb:vinyl_records
CDs sheet music streaming services digital recordings |
| gptkbp:character |
intense emotional expression
|
| gptkbp:composer |
gptkb:Dmitri_Shostakovich
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_aspect |
gptkb:Soviet_Union
|
| gptkbp:cultural_impact |
represents resilience in art
|
| gptkbp:cultural_significance |
reflects the emotional turmoil of the era
symbol of artistic expression during hardship |
| gptkbp:dedication |
to the memory of the victims of fascism
In memory of the victims of fascism |
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_use |
studied in music conservatories
|
| gptkbp:genre |
gptkb:chamber_music
|
| gptkbp:historical_context |
composed during the Siege of Leningrad
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Trio in E minor
|
| gptkbp:influenced_artists |
inspired later chamber works
|
| gptkbp:influenced_by |
Russian folk music
European classical traditions |
| gptkbp:influences |
gptkb:World_War_II
|
| gptkbp:inspiration |
gptkb:personal_loss
|
| gptkbp:instruments |
gptkb:piano
gptkb:violin gptkb:cello |
| gptkbp:involved_forces |
piano, violin, cello
|
| gptkbp:key |
E minor
|
| gptkbp:legacy |
considered a staple of the chamber music repertoire
influential in contemporary chamber music |
| gptkbp:music_style |
sonata form in first movement
ternary form in second movement rondo form in fourth movement uses dissonance and counterpoint free form in third movement |
| gptkbp:notable_performers |
gptkb:Sviatoslav_Richter
gptkb:Mstislav_Rostropovich gptkb:David_Oistrakh |
| gptkbp:notable_recordings |
gptkb:Beaux_Arts_Trio
gptkb:Miro_Quartet gptkb:Trio_Solisti gptkb:Trio_Wanderer Shostakovich's own performance recorded by various renowned ensembles |
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:performance |
often interpreted with emotional intensity
|
| gptkbp:performance_tradition |
frequently performed
frequently performed in concert halls performed by leading chamber groups |
| gptkbp:performance_venue |
performed in major music festivals
|
| gptkbp:performed_in |
chamber ensembles
|
| gptkbp:premiere_date |
gptkb:1944
|
| gptkbp:premiere_location |
gptkb:Leningrad
|
| gptkbp:published_by |
gptkb:DSCH_Publishing
|
| gptkbp:recordings |
multiple recordings available
|
| gptkbp:related_works |
gptkb:Piano_Quintet_in_E_minor
gptkb:String_Quartet_No._8 |
| gptkbp:scholarly_analysis |
subject of numerous academic papers
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Largo gptkb:Poco_Allegretto |
| gptkbp:significance |
important work in chamber music repertoire
|
| gptkbp:structure |
sonata form
|
| gptkbp:style |
modern classical
|
| gptkbp:thematic_element |
uses motifs of despair and hope
|
| gptkbp:theme |
explores themes of loss and memory
|
| gptkbp:themes |
melancholic themes
|
| gptkbp:year_composed |
gptkb:1944
|
| gptkbp:bfsParent |
gptkb:Josef_Dvořák
|
| gptkbp:bfsLayer |
5
|