|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:bfsLayer
|
7
|
|
gptkbp:bfsParent
|
gptkb:Piano_Trio_in_D_major,_D._898
gptkb:Piano_Trio_in_A_major,_Op._100
|
|
gptkbp:analysis
|
often analyzed for its thematic development
|
|
gptkbp:composer
|
gptkb:Franz_Schubert
|
|
gptkbp:cultural_significance
|
important work in chamber music repertoire
|
|
gptkbp:dedication
|
to the memory of his friend
|
|
gptkbp:duration
|
approximately 30 minutes
|
|
gptkbp:filming_location
|
gptkb:Vienna
|
|
gptkbp:genre
|
gptkb:orchestra
|
|
gptkbp:historical_context
|
composed during Schubert's final years
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Piano Trio in B flat major, D. 898
|
|
gptkbp:influenced_by
|
gptkb:Beethoven
gptkb:Mendelssohn
|
|
gptkbp:influences
|
classical music
|
|
gptkbp:inspiration
|
Schubert's late style
|
|
gptkbp:instrument
|
gptkb:musician
|
|
gptkbp:key
|
B flat major
|
|
gptkbp:movement
|
gptkb:Allegro_moderato
gptkb:4
Scherzo: Allegro
Andante un poco mosso
|
|
gptkbp:music_style
|
emotional depth
dynamic contrasts
thematic transformation
use of motifs
lyrical themes
expressive melodies
rich harmonies
use of silence
contrapuntal textures
expressive dynamics
structural clarity
rhythmic variety
interplay between instruments
colorful instrumentation
varied articulations
|
|
gptkbp:notable_performance
|
performed in concert halls worldwide
|
|
gptkbp:notable_performers
|
gptkb:Beaux_Arts_Trio
gptkb:Miro_Quartet
gptkb:Emerson_String_Quartet
gptkb:Trio_Solisti
gptkb:Trio_Wanderer
|
|
gptkbp:notable_recordings
|
numerous recordings available
|
|
gptkbp:opus_number
|
D. 898
|
|
gptkbp:performance
|
frequent in chamber music festivals
|
|
gptkbp:premiere_date
|
1828
|
|
gptkbp:publisher
|
Peters
|
|
gptkbp:related_works
|
gptkb:String_Quintet_in_C_major,_D._956
gptkb:Piano_Trio_in_E_flat_major,_D._929
gptkb:Piano_Quintet_in_A_major,_D._667
Piano Trio in G major, D. 898
|
|
gptkbp:significance
|
reflects Schubert's lyrical style
|
|
gptkbp:style
|
Romantic
|
|
gptkbp:year_composed
|
1827
|