Piano Sonata No. 32 in C minor, Op. 111
GPTKB entity
Statements (100)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Ludwig_van_Beethoven
gptkb:Beethoven's_late_works gptkb:Beethoven |
| gptkbp:analysis |
Widely analyzed in musicology
widely analyzed in musicology |
| gptkbp:character |
Introspective and profound
|
| gptkbp:characteristics |
Emotional depth
Innovative use of harmony Complex structure Contrasting themes |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
gptkb:battle |
| gptkbp:cultural_impact |
considered a masterpiece
|
| gptkbp:cultural_significance |
Considered one of Beethoven's greatest works
|
| gptkbp:dedication |
gptkb:Archduke_Rudolph_of_Austria
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:first_performance |
gptkb:Vienna
1822 |
| gptkbp:form |
Sonata form
sonata form Two movements |
| gptkbp:historical_context |
Written during Beethoven's late period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Sonata No. 32 in C minor, Op. 111
|
| gptkbp:influence |
Romantic music
Influenced later composers |
| gptkbp:influenced |
Later composers
|
| gptkbp:influences |
Romantic music
|
| gptkbp:inspiration |
Beethoven's late style
Philosophy and spirituality |
| gptkbp:key |
C minor
|
| gptkbp:legacy |
influenced future composers
Referenced in literature Performed in competitions Studied in conservatories Influential in piano repertoire Cited in music theory |
| gptkbp:movement |
gptkb:Arietta
gptkb:Arietta:_Adagio_molto_semplice_e_cantabile 2 Maestoso – Allegro con brio ed appassionato |
| gptkbp:music_style |
Emotional depth
Spirituality Complex rhythms Philosophical themes Use of motifs Dynamic contrasts Exploration of tonality Use of counterpoint Use of silence Contrapuntal techniques Spiritual exploration Complex counterpoint Innovative structure Lyrical melodies Exploration of form Thematic transformation Philosophical exploration Use of dynamics Emphasis on melody Exploration of sound Extended forms Innovative use of silence Innovative harmonic language Innovative textures Emotional contrasts Emotional exploration Contrast between movements Meditative quality Rich harmonic textures Transcendental qualities |
| gptkbp:notable_features |
spiritual themes
contrapuntal writing extreme contrasts |
| gptkbp:notable_performance |
gptkb:Beethoven's_last_piano_sonata
gptkb:battle pianists |
| gptkbp:notable_performers |
gptkb:Artur_Schnabel
gptkb:Mitsuko_Uchida gptkb:Vladimir_Horowitz gptkb:Daniel_Barenboim gptkb:András_Schiff |
| gptkbp:notable_recordings |
gptkb:Artur_Schnabel
gptkb:Vladimir_Ashkenazy gptkb:Mitsuko_Uchida gptkb:Daniel_Barenboim gptkb:Alfred_Brendel numerous recordings available Multiple recordings available |
| gptkbp:opus_number |
gptkb:Op._111
111 |
| gptkbp:performance |
Solo piano
Varied interpretations |
| gptkbp:premiere_date |
March 28, 1822
|
| gptkbp:published_by |
1822
|
| gptkbp:style |
Classical music
Late Romantic late classical |
| gptkbp:year_composed |
1821
|