Beethoven's last piano sonata
GPTKB entity
Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Piano_Sonata_No._32_in_C_minor,_Op._111
|
| gptkbp:analysis |
Often analyzed in music theory courses.
|
| gptkbp:art_style |
Explores new musical ideas.
|
| gptkbp:artistic_influence |
Influenced the development of piano music.
|
| gptkbp:audience |
Often evokes strong emotional responses.
|
| gptkbp:challenges |
Presents challenges for performers.
|
| gptkbp:characteristics |
Innovative use of form and harmony.
|
| gptkbp:composed_of |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:composer |
Part of a series of 32 piano sonatas.
|
| gptkbp:critical_reception |
Highly praised by music critics.
|
| gptkbp:cultural_impact |
Significant in the transition to Romantic music.
|
| gptkbp:cultural_significance |
Represents the culmination of Beethoven's piano works.
|
| gptkbp:dedicated_to |
gptkb:Archduke_Rudolph_of_Austria
|
| gptkbp:depth |
Wide emotional range.
|
| gptkbp:duration |
Approximately 30 minutes.
|
| gptkbp:established |
Features an extended coda in the first movement.
|
| gptkbp:first_performance |
Not documented, but likely in 1822.
|
| gptkbp:form |
Innovative use of sonata form.
|
| gptkbp:historical_context |
Subject to various interpretations.
Composed during Beethoven's late period. |
| gptkbp:historical_significance |
Important in the history of Western classical music.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Beethoven's last piano sonata
|
| gptkbp:influence |
Influenced many composers after Beethoven.
|
| gptkbp:innovation |
Represents innovation in piano composition.
|
| gptkbp:inspiration |
Inspired by Beethoven's personal struggles.
|
| gptkbp:is_studied_in |
Commonly studied in music schools.
|
| gptkbp:key |
C major
|
| gptkbp:legacy |
Continues to influence musicians and composers.
Remains a staple in piano repertoire. |
| gptkbp:motif |
Recurring motifs throughout the movements.
|
| gptkbp:movement |
gptkb:Arietta:_Adagio_molto_semplice_e_cantabile
2 Maestoso – Allegro con brio ed appassionato |
| gptkbp:music_style |
Sonata form in the first movement.
Complex structure with two contrasting movements. Requires advanced piano technique. Rich and lyrical melodies. Unique musical language. |
| gptkbp:notable_features |
Contrasting themes and emotional depth.
|
| gptkbp:notable_performance |
Part of the classical piano performance tradition.
|
| gptkbp:notable_recordings |
Numerous recordings exist.
|
| gptkbp:opus_number |
gptkb:Op._111
Last of Beethoven's piano sonatas. |
| gptkbp:performance |
Has a rich performance history.
Varied interpretations by performers. |
| gptkbp:performed_by |
Many renowned pianists.
|
| gptkbp:published_year |
1822
|
| gptkbp:repertoire |
A key work in piano literature.
|
| gptkbp:result |
It is one of Beethoven's final compositions.
|
| gptkbp:significance |
It is considered one of the greatest piano sonatas.
|
| gptkbp:soundtrack |
Complex harmonic progressions.
|
| gptkbp:style |
Classical
|
| gptkbp:technique |
Demands high technical skill from the pianist.
|
| gptkbp:thematic_element |
Explores themes of struggle and transcendence.
|
| gptkbp:theme |
Explores themes of mortality and spirituality.
|
| gptkbp:title |
gptkb:Piano_Sonata_No._32_in_C_minor,_Op._111
|
| gptkbp:tradition |
A significant contribution to the piano sonata tradition.
|
| gptkbp:year_composed |
1821
|