Piano Concerto in E-flat major, Op. 29
GPTKB entity
Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Concerto_for_Orchestra
|
| gptkbp:associated_with |
Russian classical music
|
| gptkbp:composer |
gptkb:Sergei_Prokofiev
|
| gptkbp:critical_reception |
Well-received by critics
|
| gptkbp:cultural_impact |
Influenced later composers
|
| gptkbp:dedication |
To the memory of the composer’s mother
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:form |
Sonata form
|
| gptkbp:genre |
gptkb:Concerto_for_Orchestra
|
| gptkbp:historical_context |
Composed during Prokofiev's early career
|
| https://www.w3.org/2000/01/rdf-schema#label |
Piano Concerto in E-flat major, Op. 29
|
| gptkbp:influenced |
Piano concertos of the 20th century
|
| gptkbp:influenced_by |
Western classical traditions
Jazz elements |
| gptkbp:influences |
Russian folk music
|
| gptkbp:key |
E-flat major
|
| gptkbp:notable_aspect |
Emotional depth
Technical virtuosity Use of motifs Innovative orchestration Dynamic contrasts Contrasting themes Harmonic exploration Melodic development Use of dissonance Rhythmic drive Cadenza sections Expressive range Emphasis on piano Integration of orchestra and piano |
| gptkbp:notable_features |
Rhythmic complexity
Lyrical melodies Technical demands on pianist |
| gptkbp:notable_recordings |
gptkb:Martha_Argerich
|
| gptkbp:number_of_movements |
gptkb:3
|
| gptkbp:orchestration |
Piano, woodwinds, brass, percussion, strings
|
| gptkbp:part_of |
gptkb:Prokofiev's_concertos
|
| gptkbp:performed_at |
Major music festivals
|
| gptkbp:performed_by |
Pianists globally
|
| gptkbp:performers |
Orchestras worldwide
|
| gptkbp:premiere |
1924
|
| gptkbp:published |
1924
|
| gptkbp:recorded_by |
Many renowned pianists
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Andante Allegro tempestoso |
| gptkbp:style |
Classical
|
| gptkbp:year_composed |
1923
|
| gptkbp:bfsParent |
gptkb:Arturo_Benedetti_Michelangeli
|
| gptkbp:bfsLayer |
5
|