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gptkbp:instance_of
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gptkb:Concerto_for_Orchestra
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|
gptkbp:composed_by
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gptkb:Wolfgang_Amadeus_Mozart
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gptkbp:composer
|
gptkb:Wolfgang_Amadeus_Mozart
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gptkbp:cultural_impact
|
Influenced later piano concertos
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|
gptkbp:dedication
|
To the Countess Antonia Lodron
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gptkbp:duration
|
approximately 25 minutes
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gptkbp:first_performance
|
1782
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gptkbp:historical_context
|
Composed during Mozart's time in Vienna
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gptkbp:historical_significance
|
Represents Mozart's development as a composer
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|
https://www.w3.org/2000/01/rdf-schema#label
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Piano Concerto No. 12 in A major, K. 414
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gptkbp:influenced_artists
|
gptkb:Ludwig_van_Beethoven
gptkb:Sergei_Rachmaninoff
gptkb:Claude_Debussy
gptkb:Maurice_Ravel
gptkb:Frédéric_Chopin
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|
gptkbp:influences
|
gptkb:Viennese_Classical_music
|
|
gptkbp:key
|
A major
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|
gptkbp:movement
|
gptkb:Allegro
gptkb:Adagio
Allegro assai
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|
gptkbp:music_style
|
Theme and variations in the second movement
Rondo in the third movement
Sonata form in the first movement
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|
gptkbp:notable_features
|
Expressive melodies
Technical demands on the pianist
Use of orchestral dialogue
|
|
gptkbp:notable_recordings
|
gptkb:Murray_Perahia
gptkb:Daniel_Barenboim
gptkb:Alfred_Brendel
gptkb:András_Schiff
|
|
gptkbp:number_of_movements
|
gptkb:3
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|
gptkbp:opus_number
|
K. 414
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gptkbp:orchestration
|
Piano, strings, and orchestra
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|
gptkbp:performance
|
Commonly performed in concert halls
|
|
gptkbp:performers
|
Piano soloist and orchestra
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|
gptkbp:premiere_location
|
gptkb:Vienna
|
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
gptkb:Philips_Classics
gptkb:Sony_Classical
gptkb:EMI_Classics
gptkb:Naxos
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gptkbp:related_works
|
gptkb:Piano_Concerto_No._11_in_F_major,_K._413
gptkb:Piano_Concerto_No._13_in_C_major,_K._415
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|
gptkbp:style
|
Classical
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|
gptkbp:year_composed
|
1782
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gptkbp:bfsParent
|
gptkb:Piano_Concerto_No._13_in_C_major,_Op._81
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gptkbp:bfsLayer
|
6
|