Properties (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Photograph
|
| gptkbp:archives |
gptkb:National_Media_Museum
|
| gptkbp:associatedWith |
Cultural history
Military history Documentary evidence Historical documentation Historical photography Crisis photography Photo history Victorian era photography Victorian_culture British_photography |
| gptkbp:collection |
gptkb:Royal_Collection
|
| gptkbp:createdBy |
gptkb:Roger_Fenton
|
| gptkbp:exhibitedAt |
gptkb:The_British_Museum
|
| gptkbp:exhibits |
gptkb:Royal_Academy
|
| https://www.w3.org/2000/01/rdf-schema#label |
Photograph by Roger Fenton
|
| gptkbp:influenced |
Cinematography
Visual arts Photojournalism Art photography Modern photography Artistic photography Documentary filmmakers Social documentary Documentary ethics Cultural representation in photography Later war photographers Photojournalistic ethics |
| gptkbp:influencedBy |
Daguerreotype
|
| gptkbp:location |
gptkb:Crimea
|
| gptkbp:medium |
Albumen print
|
| gptkbp:notableFor |
Pioneering war photography
War photography Innovative photographic techniques Artistic representation of war Cultural impact of photography Photographic documentation of war |
| gptkbp:notableWork |
gptkb:The_Valley_of_the_Shadow_of_Death
gptkb:The_Light_Brigade The Charge of the Light Brigade The Siege of Sevastopol The Road to Balaklava The_Valley_of_the_Shadow_of_Death_(revisited) |
| gptkbp:partOf |
The Fenton Collection
|
| gptkbp:style |
Documentary photography
Realism |
| gptkbp:subject |
gptkb:Crimean_War
|
| gptkbp:technique |
Pictorialism
Collodion wet plate |
| gptkbp:yearEstablished |
1855
|