gptkbp:instanceOf
|
Photographer
|
gptkbp:affiliation
|
gptkb:The_Photographic_Society
|
gptkbp:artwork
|
Long exposure
|
gptkbp:associatedWith
|
gptkb:Royal_Photographic_Society
|
gptkbp:born
|
March 28, 1819
|
gptkbp:child
|
gptkb:Henry_Fenton
|
gptkbp:collection
|
gptkb:Fenton_Collection
|
gptkbp:contribution
|
Pioneering war photography
Establishing photography as an art form
|
gptkbp:died
|
August 19, 1869
|
gptkbp:education
|
gptkb:University_College_London
|
gptkbp:exhibits
|
gptkb:Royal_Academy
gptkb:International_Exhibition_1862
gptkb:The_Great_Exhibition_1851
|
gptkbp:famousFor
|
Portraits of soldiers
Photographs_of_the_Crimean_War
|
gptkbp:field
|
Photography
|
gptkbp:genre
|
Photojournalism
|
https://www.w3.org/2000/01/rdf-schema#label
|
Roger Fenton
|
gptkbp:influence
|
Cultural history
Social commentary
Visual arts
Art photography
Cultural documentation
Visual storytelling
Artistic photography
Cinematic techniques
Documentary filmmaking
Photo essays
Historical photography
Military photography
Crisis photography
War documentation
|
gptkbp:influenced
|
Documentary photography
Photojournalism
|
gptkbp:influencedBy
|
gptkb:Henry_Fox_Talbot
|
gptkbp:inspiration
|
Landscape photography
|
gptkbp:knownFor
|
Crimean_War_photography
|
gptkbp:legacy
|
Influence on modern war photography
|
gptkbp:nationality
|
British
|
gptkbp:notableEvent
|
gptkb:Crimean_War
|
gptkbp:notableWork
|
gptkb:The_Valley_of_the_Shadow_of_Death
Photographs_of_the_British_Army
|
gptkbp:occupation
|
gptkb:Artist
|
gptkbp:parent
|
gptkb:William_Fenton
|
gptkbp:productionCompany
|
19th century
|
gptkbp:residence
|
gptkb:London
|
gptkbp:spouse
|
Mary_Fenton
|
gptkbp:style
|
Realism
Documentary style
|
gptkbp:technique
|
Staged photography
Collodion_process
|