Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
sacred liturgy
|
| gptkbp:characteristic |
counterpoint
|
| gptkbp:composer |
gptkb:Johannes_Ockeghem
|
| gptkbp:genre |
gptkb:sacred_music
|
| gptkbp:historical_significance |
development of mass settings
|
| https://www.w3.org/2000/01/rdf-schema#label |
Ockeghem's mass cycle
|
| gptkbp:influence |
gptkb:choir
|
| gptkbp:influenced |
later composers
|
| gptkbp:notable_feature |
gptkb:cultural_heritage
gptkb:artistic_legacy gptkb:original_score gptkb:music_genre gptkb:sacred_texts gptkb:historical_context gptkb:voice_acting gptkb:recordings artistic expression cultural significance musicology scholarly research rhythmic complexity complex rhythms performance practice stylistic diversity expressive melodies rich textures melodic development use of dissonance harmonic innovation sustained notes textural variety long melodic lines text painting modal harmony compositional techniques liturgical function vocal interplay use of imitation use of sequences sophisticated structure use of canon |
| gptkbp:notable_work |
gptkb:Missa_prolationum
gptkb:Missa_L'homme_armé Missa Cuiusvis toni Missa de plus en plus |
| gptkbp:performed_by |
choirs
|
| gptkbp:performed_in |
gptkb:church
|
| gptkbp:period |
gptkb:Renaissance
|
| gptkbp:style |
polyphonic
|
| gptkbp:bfsParent |
gptkb:Missa_Caput
|
| gptkbp:bfsLayer |
7
|