gptkbp:instance_of
|
gptkb:Composer
|
gptkbp:associated_with
|
gptkb:Burgundian_School
|
gptkbp:birth_date
|
c. 1410
|
gptkbp:contribution
|
chansons
motets
mass settings
|
gptkbp:death_date
|
1497
|
gptkbp:education
|
Chant and polyphony
|
gptkbp:famous_for
|
gptkb:artistic_legacy
gptkb:historical_significance
gptkb:sacred_music
cultural impact
musical innovation
musical education
secular music
rich harmonies
innovative use of rhythm
melodic development
complex counterpoint
textural variety
musical forms
vocal polyphony
use of imitation
use of variation
sophisticated forms
sophisticated vocal lines
use of canon
|
gptkbp:genre
|
Renaissance music
|
https://www.w3.org/2000/01/rdf-schema#label
|
Johannes Ockeghem
|
gptkbp:influenced
|
gptkb:Josquin_des_Prez
|
gptkbp:influenced_by
|
gptkb:Guillaume_Dufay
|
gptkbp:instruments
|
gptkb:voice_acting
|
gptkbp:known_for
|
polyphonic music
|
gptkbp:legacy
|
influence on later composers
|
gptkbp:nationality
|
gptkb:French
|
gptkbp:notable_work
|
gptkb:Missa_Caput
gptkb:Missa_prolationum
gptkb:Missa_L'homme_armé
|
gptkbp:occupation
|
gptkb:Singer
gptkb:educators
|
gptkbp:place_of_birth
|
gptkb:Saint-Ghislain
|
gptkbp:place_of_death
|
gptkb:Tours,_France
|
gptkbp:recordings
|
secular songs
numerous motets
over 20 masses
|
gptkbp:style
|
early Renaissance
|
gptkbp:was_a_patron_of
|
gptkb:Charles_the_Bold
|
gptkbp:bfsParent
|
gptkb:Burgundian_School_of_Music
gptkb:Francis_I
|
gptkbp:bfsLayer
|
5
|