Statements (176)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:album
|
| gptkbp:artist |
gptkb:Radiohead
|
| gptkbp:awards |
gptkb:Grammy_Award_for_Best_Alternative_Music_Album
|
| gptkbp:certification |
Platinum in the US
Gold in the UK 4× Platinum in the UK |
| gptkbp:chart_performance |
number one on UK Albums Chart
top ten in the US Billboard 200 number one in the UK Albums Chart number 21 on US Billboard 200 |
| gptkbp:cover_art |
Artwork by Stanley Donwood
designed by Stanley Donwood features a surreal landscape |
| gptkbp:created_by |
gptkb:Radiohead
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_impact |
gptkb:significant
widely regarded as one of the greatest albums of all time considered one of the greatest albums of all time |
| gptkbp:fan_base |
cult following
|
| gptkbp:featured_in |
Rolling Stone's 500 Greatest Albums of All Time
NME's 500 Greatest Albums of All Time Pitchfork's Top 100 Albums of the 1990s Time's All-Time 100 Albums |
| gptkbp:features |
the song ' Karma Police'
the song ' No Surprises' the song ' Paranoid Android' |
| gptkbp:first_edition |
includes additional tracks
|
| gptkbp:followed_by |
gptkb:Kid_A
|
| gptkbp:genre |
alternative rock
|
| gptkbp:has_song |
' Airbag'
' Exit Music (For A Film)' ' Fitter Happier' ' Karma Police' ' No Surprises' ' Paranoid Android' ' The Tourist' ' Lucky' ' A Wolf at the Door' ' Climbing Up the Walls' ' Dollars and Cents' ' Electioneering' ' Go to Sleep' ' How I Made My Millions' ' I Might Be Wrong' ' I Will' ' Pyramid Song' ' Sit Down. Stand Up.' ' Subterranean Homesick Alien' ' The Gloaming' ' The National Anthem' ' There There' ' We Suck Young Blood' '2+2=5' |
| https://www.w3.org/2000/01/rdf-schema#label |
OK Computer
|
| gptkbp:influenced |
electronic music
post-rock progressive rock indie rock music genres art rock many artists alternative music scene |
| gptkbp:influenced_artists |
gptkb:Arcade_Fire
gptkb:Coldplay gptkb:The_Strokes gptkb:Interpol gptkb:Muse indie rock art rock experimental rock |
| gptkbp:influenced_by |
electronic music
post-rock post-punk |
| gptkbp:inspired |
gptkb:books
gptkb:documentaries gptkb:films gptkb:artworks numerous artists |
| gptkbp:inspired_by |
modern life
1990s culture |
| gptkbp:is_acclaimed_for |
widely regarded as one of the greatest albums of all time
|
| gptkbp:label |
gptkb:Parlophone
|
| gptkbp:legacy |
cultural impact
musical innovation considered a landmark album influence on alternative music recognized for its lyrical depth influential in the development of alternative rock. considered a concept album influenced the direction of rock music pioneered sound experimentation |
| gptkbp:length |
53:20
53:21 53:23 |
| gptkbp:live_performance |
performed in various tours
|
| gptkbp:lyricist |
gptkb:Phil_Selway
gptkb:Colin_Greenwood gptkb:Thom_Yorke gptkb:Ed_O'_Brien gptkb:Jonny_Greenwood |
| gptkbp:music_videos |
' Karma Police'
' No Surprises' ' Paranoid Android' |
| gptkbp:notable_artists |
gptkb:Jonny_Greenwood
|
| gptkbp:notable_awards |
Rolling Stone's 500 Greatest Albums of All Time
NME Album of the Year Q Magazine's Best Album of All Time Pitchfork's Best Album of the 1990s |
| gptkbp:notable_keyboardist |
gptkb:Ed_O'_Brien
|
| gptkbp:notable_song |
gptkb:Karma_Police
gptkb:Paranoid_Android |
| gptkbp:notable_track |
gptkb:Karma_Police
gptkb:No_Surprises gptkb:Paranoid_Android |
| gptkbp:notable_tracks |
gptkb:Karma_Police
gptkb:No_Surprises gptkb:Paranoid_Android ' Airbag' ' Climbing Up The Walls' ' Exit Music (For A Film)' ' Fitter Happier' ' The Tourist' |
| gptkbp:number_of_tracks |
varied
|
| gptkbp:performers |
gptkb:Phil_Selway
gptkb:Colin_Greenwood |
| gptkbp:preceded_by |
gptkb:The_Bends
|
| gptkbp:producer |
gptkb:Nigel_Godrich
|
| gptkbp:rank |
greatest albums of all time
greatest album of all time by various publications |
| gptkbp:record |
1996-1997
|
| gptkbp:record_label |
gptkb:Capitol_Records
EMI |
| gptkbp:recorded_at |
gptkb:Abbey_Road_Studios
|
| gptkbp:recording_location |
gptkb:Abbey_Road_Studios
|
| gptkbp:release_date |
May 21, 1997
|
| gptkbp:release_format |
CD
vinyl digital download |
| gptkbp:release_year |
gptkb:1997
|
| gptkbp:released |
CD
May 21, 1997 vinyl digital download |
| gptkbp:released_in |
gptkb:1997
gptkb:United_Kingdom gptkb:United_States gptkb:the_United_States gptkb:the_United_Kingdom |
| gptkbp:remastered |
gptkb:2016
gptkb:2017 2017 reissue 2016 Remastered Edition |
| gptkbp:sales |
over 3 million copies worldwide
|
| gptkbp:songwriters |
gptkb:Phil_Selway
gptkb:Colin_Greenwood gptkb:Thom_Yorke gptkb:Ed_O'_Brien gptkb:Jonny_Greenwood |
| gptkbp:themes |
gptkb:technology
alienation dystopia |
| gptkbp:bfsParent |
gptkb:Reprise_Records
gptkb:EMI_Group gptkb:EMI_Records gptkb:Parlophone_Records gptkb:Parlophone gptkb:Island_Records gptkb:Radiohead gptkb:Virgin_Records gptkb:Asylum_Records gptkb:EMI_Studios gptkb:1997_Grammy_Awards gptkb:1998_Grammy_Awards gptkb:Stephen_Lipson gptkb:1999_Grammy_Awards |
| gptkbp:bfsLayer |
4
|