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gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Fiódor_Dostoyevski
gptkb:Fyodor_Dostoevsky
gptkb:Dostoevsky
gptkb:Liza
|
|
gptkbp:adaptation
|
gptkb:ballet
gptkb:theatre
gptkb:film
stage plays
radio dramas
|
|
gptkbp:adapted_into
|
gptkb:graphic_novel
|
|
gptkbp:author
|
gptkb:Fyodor_Dostoevsky
|
|
gptkbp:character_development
|
psychological depth
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
cynical
complex dynamics
romantic interests
conflict with society
|
|
gptkbp:critical_reception
|
controversial
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:discusses
|
gptkb:TV_series
gptkb:nihilism
freedom
morality
societal norms
human psychology
|
|
gptkbp:genre
|
philosophical fiction
|
|
gptkbp:historical_context
|
19th century literature
post-serfdom Russia
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Notes from Underground
|
|
gptkbp:influence
|
existentialist literature
|
|
gptkbp:influenced
|
gptkb:philosopher
modern literature
|
|
gptkbp:inspired
|
gptkb:The_Stranger
gptkb:The_Trial
|
|
gptkbp:is_available_in
|
public domain
|
|
gptkbp:is_cited_in
|
gptkb:Educational_Institution
gptkb:literary_work
|
|
gptkbp:is_critical_for
|
widely studied
various interpretations
|
|
gptkbp:language
|
gptkb:Author
|
|
gptkbp:main_character
|
gptkb:the_Underground_Man
former civil servant
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
I am a spiteful man.
The man is what he is.
I am a sick man.
|
|
gptkbp:number_of_pieces
|
two
|
|
gptkbp:part_of
|
Underground
On the Neva
|
|
gptkbp:published_by
|
1864
|
|
gptkbp:setting
|
gptkb:St._Petersburg
|
|
gptkbp:significance
|
pioneering work of existentialism
|
|
gptkbp:style
|
stream of consciousness
|
|
gptkbp:themes
|
gptkb:political_movement
gptkb:existentialism
self-awareness
alienation
free will
despair
|
|
gptkbp:translated_into
|
multiple languages
|