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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptations
|
gptkb:ballet
gptkb:theater
gptkb:film
stage plays
radio dramas
|
|
gptkbp:adapted_into
|
gptkb:graphic_novel
|
|
gptkbp:author
|
gptkb:Fyodor_Dostoevsky
|
|
gptkbp:available_in
|
public domain
|
|
gptkbp:character_development
|
psychological depth
|
|
gptkbp:character_relationships
|
complex dynamics
romantic interests
conflict with society
|
|
gptkbp:critical_analysis
|
widely studied
various interpretations
|
|
gptkbp:critical_reception
|
controversial
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:discusses
|
gptkb:nihilism
gptkb:identity
freedom
morality
societal norms
human psychology
|
|
gptkbp:genre
|
philosophical fiction
|
|
gptkbp:historical_context
|
19th century literature
post-serfdom Russia
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Notes from Underground
|
|
gptkbp:influence
|
existentialist literature
|
|
gptkbp:influenced
|
gptkb:philosophy
modern literature
|
|
gptkbp:inspired
|
gptkb:The_Stranger
gptkb:The_Trial
|
|
gptkbp:is_cited_in
|
gptkb:Academic
gptkb:literary_criticism
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:literary_significance
|
pioneering work of existentialism
|
|
gptkbp:main_character
|
gptkb:the_Underground_Man
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
I am a spiteful man.
The man is what he is.
I am a sick man.
|
|
gptkbp:notable_themes
|
gptkb:rebellion
self-awareness
despair
|
|
gptkbp:number_of_pieces
|
two
|
|
gptkbp:part_of
|
Underground
On the Neva
|
|
gptkbp:protagonist
|
former civil servant
|
|
gptkbp:protagonist's_view_on_love
|
gptkb:complex
|
|
gptkbp:protagonist's_view_on_society
|
cynical
|
|
gptkbp:published
|
1864
|
|
gptkbp:setting
|
gptkb:St._Petersburg
|
|
gptkbp:style
|
stream of consciousness
|
|
gptkbp:themes
|
gptkb:existentialism
alienation
free will
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Fyodor_Dostoevsky
gptkb:Dostoevsky
|
|
gptkbp:bfsLayer
|
4
|