Statements (185)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Irrational_Man
gptkb:Fiódor_Dostoyevski gptkb:Sonia gptkb:Tsardom_of_Russia gptkb:Fyodor_Dostoevsky gptkb:Dostoevsky gptkb:Match_Point gptkb:Penguin_Classics gptkb:Oxford_World's_Classics gptkb:The_Last_Day_of_a_Condemned_Man |
| gptkbp:adaptation |
gptkb:musical
gptkb:ballet gptkb:television_series gptkb:theatre gptkb:radio_station gptkb:graphic_novel gptkb:opera gptkb:video_game gptkb:film radio plays |
| gptkbp:antagonist |
gptkb:Porfiry_Petrovich
|
| gptkbp:author |
gptkb:Fyodor_Dostoevsky
|
| gptkbp:character |
gptkb:Arkady_Svidrigaïlov
gptkb:Alyona_Ivanovna gptkb:Dmitri_Razumihin gptkb:Dunya_Raskolnikov gptkb:Katerina_Ivanovna gptkb:Marmeladov gptkb:Porfiry_Petrovich gptkb:Razumihin gptkb:Sonya gptkb:Sonya_Semyonovna_Marmeladov gptkb:Svidrigailov gptkb:the_child gptkb:Avdotya_Romanovna_Raskolnikov gptkb:Katerina_Ivanovna_Marmeladov gptkb:Dunya gptkb:Sonia_Semyonovna_Marmeladov the servant the doctor the merchant the police officer the student the widow the landlady Luzhin Nastasya Zossimov the clerk the pawnbroker |
| gptkbp:character_development |
Sonia's role
Porfiry's investigation Raskolnikov's journey Raskolnikov's transformation |
| gptkbp:character_relationships |
Raskolnikov and Dunya
Raskolnikov and Razumihin Raskolnikov and Sonia |
| gptkbp:choreography |
Crime and Punishment by Boris Eifman
|
| gptkbp:conflict |
internal conflict
social conflict moral conflict |
| gptkbp:critical_reception |
widely acclaimed
highly acclaimed |
| gptkbp:cultural_impact |
inspired films
inspired numerous works inspired discussions on morality inspired adaptations inspired numerous adaptations influenced literature subject of documentaries influenced philosophy inspired adaptations in various media discussed in philosophy influenced art inspired music featured in art inspired academic studies inspired theatrical performances influenced modern crime fiction influenced film influenced music inspired literary criticism studied in literature courses inspired music compositions inspired plays discussed in academic studies influenced many authors adapted into video games inspired art and illustrations inspired literary awards inspired psychological analysis featured in literary criticism discussed in philosophy classes influenced psychology subject of podcasts subject of film studies analyzed in sociology inspired philosophical debates analyzed in psychological studies subject of essays subject of philosophical discussions subject of lectures studied in psychology subject of book clubs subject of psychological analyses subject of theatre studies |
| gptkbp:filmography |
gptkb:Crime_and_Punishment_(1935)
gptkb:Crime_and_Punishment_(1956) gptkb:Crime_and_Punishment_(1970) gptkb:Crime_and_Punishment_(2002) gptkb:Crime_and_Punishment_(2007) |
| gptkbp:genre |
psychological fiction
|
| gptkbp:historical_context |
social issues
poverty philosophical movements 19th century Russia |
| https://www.w3.org/2000/01/rdf-schema#label |
Crime and Punishment
|
| gptkbp:influence |
gptkb:philosopher
gptkb:existentialism gptkb:psychologist gptkb:literary_work modern literature film noir |
| gptkbp:influenced_by |
Dostoevsky's own experiences
|
| gptkbp:inspired_by |
real-life events
|
| gptkbp:is_critical_for |
explores redemption
explores morality explores guilt |
| gptkbp:language |
gptkb:Author
|
| gptkbp:length |
approximately 430 pages
|
| gptkbp:main_character |
gptkb:Rodion_Raskolnikov
gptkb:Raskolnikov |
| gptkbp:media_adaptations |
The Crime and Punishment Project
The Royal Shakespeare Company adaptation |
| gptkbp:motif |
gptkb:festival
gptkb:legislation gptkb:Police_Department gptkb:Order alienation morality suffering redemption poverty |
| gptkbp:narrative_style |
stream of consciousness
third-person flashbacks third-person omniscient foreshadowing |
| gptkbp:notable_quote |
“ It takes something more than intelligence to act intelligently.”
“ To go wrong in one's own way is better than to go right in someone else's.” “ The man who has a conscience suffers whilst acknowledging his sin.” “ It is better to be unhappy than to be happy in a false way.” “ It is better to be unhappy than to be happy in the wrong way.” |
| gptkbp:plot |
gptkb:legal_case
redemption guilt consequences of crime |
| gptkbp:published_by |
1866
The Russian Messenger |
| gptkbp:setting |
gptkb:Saint_Petersburg
|
| gptkbp:soundtrack |
Crime and Punishment by Dmitri Shostakovich
|
| gptkbp:style |
gptkb:moral_ambiguity
complex characters psychological depth |
| gptkbp:symbolism |
gptkb:festival
gptkb:healthcare_organization gptkb:the_cross suffering redemption the city the axe the city of Saint Petersburg |
| gptkbp:television_show |
gptkb:Crime_and_Punishment_(1979)
gptkb:Crime_and_Punishment_(2000) |
| gptkbp:theme |
alienation
redemption moral dilemmas |
| gptkbp:themes |
gptkb:existentialism
gptkb:nihilism faith utilitarianism |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:written_by |
gptkb:Fyodor_Dostoevsky
|