Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:artwork |
long takes
minimalist dialogue naturalistic performances |
| gptkbp:awards |
Best Director at the 2013 Cannes Film Festival
|
| gptkbp:boxOffice |
$100,000
|
| gptkbp:characterArc |
Eliza's resilience
Hector's journey Maximo's_struggle |
| gptkbp:cinematographyBy |
gptkb:Lav_Diaz
|
| gptkbp:country |
gptkb:Philippines
|
| gptkbp:criticalReception |
positive
|
| gptkbp:culturalImpact |
recognized internationally
discussed in film studies influenced_Filipino_cinema |
| gptkbp:director |
gptkb:Lav_Diaz
|
| gptkbp:distributor |
Cinema One Originals
|
| gptkbp:filmFestival |
gptkb:Locarno_Film_Festival
gptkb:Berlin_International_Film_Festival gptkb:Toronto_International_Film_Festival |
| gptkbp:genre |
drama
|
| https://www.w3.org/2000/01/rdf-schema#label |
Norte, the End of History
|
| gptkbp:influences |
Crime and Punishment
The Brothers Karamazov The Idiot |
| gptkbp:inspiration |
philosophical literature
Filipino_culture social_issues_in_the_Philippines |
| gptkbp:language |
gptkb:Filipino
|
| gptkbp:mainCharacter |
Hector
Eliza Maximo |
| gptkbp:notableFeature |
character development
social commentary philosophical themes cinematic style long runtime black-and-white cinematography non-linear_narrative |
| gptkbp:premiere |
gptkb:Cannes_Film_Festival
|
| gptkbp:productionCompany |
Sine_Olivia_Pilipinas
|
| gptkbp:releaseYear |
2013
|
| gptkbp:runtime |
250 minutes
|
| gptkbp:screenplayBy |
gptkb:Lav_Diaz
|
| gptkbp:soundtrack |
Pablo_S._Gomez
|
| gptkbp:theme |
justice
moral ambiguity redemption |