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gptkbp:instance_of
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gptkb:musical
|
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:1984
|
|
gptkbp:adaptation
|
gptkb:2013
Theatrical
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|
gptkbp:adapted_into
|
gptkb:novel
|
|
gptkbp:artist
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gptkb:Tom_Gibbons
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gptkbp:awards
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gptkb:award
|
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gptkbp:based_on
|
gptkb:Nineteen_Eighty-Four
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|
gptkbp:character
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gptkb:The_Two_Minutes_Hate
gptkb:The_Thought_Police
gptkb:Emmanuel_Goldstein
gptkb:Winston_Smith
gptkb:Julia
gptkb:The_Ministry_of_Truth
gptkb:The_Ministry_of_Love
gptkb:The_Ministry_of_Plenty
gptkb:Big_Brother
gptkb:Mr._Charrington
gptkb:O'_Brien
gptkb:The_Party
Parsons
The Brotherhood
Syme
The Ministry of Peace
The Doublethink
The Facecrime
The Memory Hole
The Newspeak
The Proles
The Room 101
The Thoughtcrime
The Unperson
The telescreens
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|
gptkbp:choreography
|
gptkb:Duncan_Mac_Millan
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:directed_by
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gptkb:Robert_Icke
|
|
gptkbp:final_score
|
gptkb:Sophie_Cotton
|
|
gptkbp:first_performance
|
gptkb:2013
|
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gptkbp:genre
|
gptkb:Dystopian
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Nineteen Eighty-Four (stage adaptation)
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gptkbp:influences
|
gptkb:George_Orwell
Dystopian literature
Political drama
|
|
gptkbp:inspiration
|
Nineteen Eighty-Four novel
|
|
gptkbp:language
|
English
|
|
gptkbp:lighting
|
Natasha Chivers
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gptkbp:notable_character
|
gptkb:Olivia_Williams
gptkb:Tom_Sturridge
gptkb:Holly_Turner
Matthew Spencer
|
|
gptkbp:premiered_on
|
gptkb:The_Playhouse_Theatre
|
|
gptkbp:production_company
|
gptkb:Nottingham_Playhouse
gptkb:Theatr_Clwyd
gptkb:The_Royal_&_Derngate
gptkb:The_Playhouse_Theatre
Headlong
|
|
gptkbp:runtime
|
2 hours 30 minutes
|
|
gptkbp:set_in
|
Rae Smith
|
|
gptkbp:sound
|
gptkb:Tom_Gibbons
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:language
Surveillance
Totalitarianism
|
|
gptkbp:written_by
|
gptkb:Robert_Icke
|