|
gptkbp:instance_of
|
gptkb:musical
|
|
gptkbp:adaptation
|
Nineteen Eighty-Four novel
|
|
gptkbp:adapted_into
|
gptkb:Robert_Icke
various media
|
|
gptkbp:art_style
|
minimalist
|
|
gptkbp:artist
|
gptkb:Ramin_Djawadi
|
|
gptkbp:audience
|
theatergoers
|
|
gptkbp:based_on
|
gptkb:Nineteen_Eighty-Four
|
|
gptkbp:character_appearance
|
Rae Smith
|
|
gptkbp:contains
|
multimedia
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:depicts
|
surveillance state
|
|
gptkbp:directed_by
|
gptkb:Robert_Icke
|
|
gptkbp:distribution
|
theatrical distributors
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:explores
|
gptkb:political_organization
|
|
gptkbp:features
|
Dystopian themes
|
|
gptkbp:features_character
|
gptkb:Julia
gptkb:O'_Brien
|
|
gptkbp:follows
|
gptkb:Winston_Smith
|
|
gptkbp:has_setting
|
Rae Smith
|
|
gptkbp:has_theme
|
gptkb:TV_series
freedom
reality
resistance
|
|
gptkbp:highlights
|
language manipulation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Nineteen Eighty-Four (2019 stage adaptation)
|
|
gptkbp:includes
|
gptkb:Big_Brother
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:is_cited_in
|
academic discussions
|
|
gptkbp:is_considered
|
a modern classic
|
|
gptkbp:is_influenced_by
|
the original novel
|
|
gptkbp:is_part_of
|
theatrical history
theatrical repertoire
theatrical adaptations of literature
|
|
gptkbp:is_recognized_for
|
its innovative staging
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:is_studied_in
|
theater courses
|
|
gptkbp:lighting
|
Natasha Chivers
|
|
gptkbp:notable_for
|
its political commentary
|
|
gptkbp:performed_by
|
gptkb:The_Playhouse_Theatre
English
professional actors
|
|
gptkbp:premiered_on
|
gptkb:2019
|
|
gptkbp:produced_by
|
Theatrical companies
Headlong
|
|
gptkbp:published_by
|
gptkb:George_Orwell
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:set_in
|
gptkb:Oceania
|
|
gptkbp:sound
|
gptkb:Tom_Gibbons
|
|
gptkbp:bfsParent
|
gptkb:Nineteen_Eighty-Four
|
|
gptkbp:bfsLayer
|
4
|