|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:artistic_director
|
gptkb:David_J._B._Smith
|
|
gptkbp:audience
|
60% on Rotten Tomatoes
|
|
gptkbp:based_on
|
original story by Eli Roth
|
|
gptkbp:box_office
|
$10 million
|
|
gptkbp:cast
|
gptkb:Keanu_Reeves
gptkb:John_David_Washington
gptkb:Lily_Jane_Collins
|
|
gptkbp:cinematography
|
gptkb:Pawel_Pogorzelski
|
|
gptkbp:costume_design
|
gptkb:Arianne_Phillips
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:design
|
gptkb:Molly_Hughes
|
|
gptkbp:director
|
gptkb:Eli_Roth
gptkb:Kerry_Barden
|
|
gptkbp:distributor
|
gptkb:Lionsgate
|
|
gptkbp:editing
|
gptkb:Gregory_Plotkin
|
|
gptkbp:film_editing
|
gptkb:Gregory_Plotkin
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Night Call (2022)
|
|
gptkbp:influences
|
gptkb:Psycho
gptkb:The_Call
gptkb:The_Twilight_Zone
gptkb:Black_Mirror
|
|
gptkbp:is_decorated_with
|
Katherine D. Smith
|
|
gptkbp:language
|
English
|
|
gptkbp:makeup_artist
|
gptkb:Nickole_Ray
|
|
gptkbp:metacritic_score
|
50% on Rotten Tomatoes
|
|
gptkbp:music_composer
|
gptkb:John_Murphy
|
|
gptkbp:notable_achievement
|
gptkb:J._J._Perry
|
|
gptkbp:plot
|
A man receives mysterious phone calls that lead him into a web of danger.
|
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:production_company
|
gptkb:XYZ_Films
|
|
gptkbp:production_status
|
completed
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
January 21, 2022
|
|
gptkbp:release_year
|
gptkb:2022
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay
|
gptkb:Eli_Roth
|
|
gptkbp:sound_design
|
gptkb:Michael_Babcock
|
|
gptkbp:special_effects
|
gptkb:Derek_M._Smith
|
|
gptkbp:theme
|
gptkb:technology
gptkb:trust
isolation
fear
|
|
gptkbp:visual_effects
|
MPC
|
|
gptkbp:writer
|
gptkb:Eli_Roth
|
|
gptkbp:bfsParent
|
gptkb:Olly_Alexander
|
|
gptkbp:bfsLayer
|
5
|